The book is a study of Adorno's aesthetics, its philosophical background, and its account of aesthetic modernism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Espen Hammer is Professor of Philosophy at Temple University, Philadelphia. He has published many essays and books, including Stanley Cavell: Skepticism, Subjectivity, and the Ordinary (2002), Adorno and the Political (2006), Philosophy and Temporality from Kant to Critical Theory (Cambridge, 2011) and The Routledge Handbook of the Frankfurt School (co-edited with Axel Honneth and Peter Gordon, forthcoming), and is the editor of German Idealism: Contemporary Perspectives (2007).
Inhaltsangabe
Preface Introduction 1. Art and the problem of modernity 2. The beautiful and the sublime: an aesthetics of nature 3. The dialectic of aesthetic autonomy 4. Language, truth, and semblance 5. A topography of nothingness: Adorno on Beckett 6. Experience and metaphysics: the legacy of Kant 7. An aesthetics of negativity Concluding remarks Bibliography Index.
Preface Introduction 1. Art and the problem of modernity 2. The beautiful and the sublime: an aesthetics of nature 3. The dialectic of aesthetic autonomy 4. Language, truth, and semblance 5. A topography of nothingness: Adorno on Beckett 6. Experience and metaphysics: the legacy of Kant 7. An aesthetics of negativity Concluding remarks Bibliography Index.
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