Advanced Creative Nonfiction: A Writers' Guide and Anthology offers expert instruction on writing creative nonfiction in any form-including memoir, lyric essay, travel writing, and more-while taking an expansive approach to fit a rapidly evolving literary art form. From a history of creative nonfiction, related ethical concerns, and new approaches to revision and publishing, this book offers innovative strategies and ideas beyond what's traditionally covered. Advanced Creative Nonfiction: A Writers' Guide and Anthology also includes: · An anthology of contemporary creative nonfiction by some…mehr
Advanced Creative Nonfiction: A Writers' Guide and Anthology offers expert instruction on writing creative nonfiction in any form-including memoir, lyric essay, travel writing, and more-while taking an expansive approach to fit a rapidly evolving literary art form. From a history of creative nonfiction, related ethical concerns, and new approaches to revision and publishing, this book offers innovative strategies and ideas beyond what's traditionally covered. Advanced Creative Nonfiction: A Writers' Guide and Anthology also includes: · An anthology of contemporary creative nonfiction by some of today's most inventive and celebrated writers · Advanced explorations into the craft of creative nonfiction across forms · In-depth discussion of truth, ethics, and memory · Practical advice on revision, editing, research, and publishing · Writing prompts and exercises throughout the textbook A companion website is also available for the book at http://www.bloomsburyonlineresources.com/advanced-creative-nonfictionHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sean Prentiss is Associate Professor of English at Norwich University, USA. He is author of Finding Abbey: The Search for Edward Abbey and His Hidden Desert Grave (2015), which won the National Outdoor Book Award for Biography/History. He is also author of Crosscut: Poems (2020), and co-editor of The Science of Story: The Brain Behind Creative Nonfiction (Bloomsbury, 2020). Jessica Hendry Nelson is the author of the memoir If Only You People Could Follow Directions (2014) which was selected as a best debut book by the Indies Introduce New Voices program, the Indies Next List by the American Booksellers' Association, and named a Best Book of the Year by Kirkus Reviews. She is an Assistant Professor of English at Virginia Commonwealth University, USA and teaches in the MFA Program at the University of Nebraska at Omaha, USA.
Inhaltsangabe
Introduction Part 1: Foundations 1. The History of Creative Nonfiction 2. Veracity and Genre 3. Forms and Modes of Creative Nonfiction 4. Interplay of Genres, Forms, and Modes 5. Elements of Creative Nonfiction Part 2: Evolutions 6. The Central Question 7. Image and Metaphor 8. Exploding Scene 9. Chronology 10. Dialectical Movement 11. Setting As Character 12. Writer, Narrator, Character 13. Lenses 14. Reflection, Introspection, and Speculation 15. Beginnings and Endings 16. Music of Prose Part 3: Integrities 17. Truth, Fact, and Memory 18. Authority and Credibility Part 4: Renovations 19. Workshops, Peer Reviews, and Writing Groups 20. Revision 21. Publishing Part 5: Anthology 1. Austin Bunn, "Basement Story" 2. Amy Butcher, "Women These Days" 3. Seo-Young Chu, "A Refuge for Jae-in Doe: Fugues in the Key of English Major" 4. Melissa Febos, "Leave Marks" 5. Kathy Fish, "Collective Nouns for Humans in the Wild" 6. Harrison Candelaria Fletcher, "Open Season" 7. Ross Gay, "Loitering" 8. Och Gonzalez, "What I Do on My Terrace is None of Your Business" 9. Peter Grandbois, "Loyalty" 10. Major Jackson, "Mighty Pawns" 11. Sarah Minor, "A Log Cabin Square" 12. Jessica Hendry Nelson, "When You Were a Boy in Maine" 13. Sean Prentiss, "Buying a House" 14. Jonathan Rovner, "The Funambulists" 15. Vijay Seshadri, "Memoir" 16. Vivek Shraya, "Trisha" 17. Margot Singer, "Call it Rape" 18. Ira Sukrungruang, "Invisible Partners" 19. Jill Talbot, "The Professor of Longing" 20. Abigail Thomas, "Nostalgia" 21. Ryan Van Meter, "First" 22. Elissa Washuta, "Incompressible Flow" 23. Christian Wiman, "The Limit" 24. Brooke Juliet Wonders, "Self Erasure" 25. Xu Xi, "Godspeed" 26. Kristen Millares Young, "A Few Thoughts While Shaving" Index
Introduction Part 1: Foundations 1. The History of Creative Nonfiction 2. Veracity and Genre 3. Forms and Modes of Creative Nonfiction 4. Interplay of Genres, Forms, and Modes 5. Elements of Creative Nonfiction Part 2: Evolutions 6. The Central Question 7. Image and Metaphor 8. Exploding Scene 9. Chronology 10. Dialectical Movement 11. Setting As Character 12. Writer, Narrator, Character 13. Lenses 14. Reflection, Introspection, and Speculation 15. Beginnings and Endings 16. Music of Prose Part 3: Integrities 17. Truth, Fact, and Memory 18. Authority and Credibility Part 4: Renovations 19. Workshops, Peer Reviews, and Writing Groups 20. Revision 21. Publishing Part 5: Anthology 1. Austin Bunn, "Basement Story" 2. Amy Butcher, "Women These Days" 3. Seo-Young Chu, "A Refuge for Jae-in Doe: Fugues in the Key of English Major" 4. Melissa Febos, "Leave Marks" 5. Kathy Fish, "Collective Nouns for Humans in the Wild" 6. Harrison Candelaria Fletcher, "Open Season" 7. Ross Gay, "Loitering" 8. Och Gonzalez, "What I Do on My Terrace is None of Your Business" 9. Peter Grandbois, "Loyalty" 10. Major Jackson, "Mighty Pawns" 11. Sarah Minor, "A Log Cabin Square" 12. Jessica Hendry Nelson, "When You Were a Boy in Maine" 13. Sean Prentiss, "Buying a House" 14. Jonathan Rovner, "The Funambulists" 15. Vijay Seshadri, "Memoir" 16. Vivek Shraya, "Trisha" 17. Margot Singer, "Call it Rape" 18. Ira Sukrungruang, "Invisible Partners" 19. Jill Talbot, "The Professor of Longing" 20. Abigail Thomas, "Nostalgia" 21. Ryan Van Meter, "First" 22. Elissa Washuta, "Incompressible Flow" 23. Christian Wiman, "The Limit" 24. Brooke Juliet Wonders, "Self Erasure" 25. Xu Xi, "Godspeed" 26. Kristen Millares Young, "A Few Thoughts While Shaving" Index
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