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Chapter One: What Makes Advanced Fiction Writing "Advanced?"
Student Craft Studio: Shannon Baker, "Habits"
Craft Studio: James Joyce, "Araby" (1914)
Exercises
Chapter Two: Getting It Down: Self-Organizing, From Mind to Page
Exercises
Chapter Three: Mystery, Conviction, Form, and Risk
Student Craft Studio: Levi Bird, "On Stable Ground"
Craft Studio: Charlotte Perkins Gilman, "The Yellow Wallpaper" (1892)
Exercises
Chapter Four: Writing in Color: Culture, Identity, and Art
Student Craft Studio: Ian Wreisner, "The New Chicago"
Craft Studio: Rebecca Makkai, from The Great Believers: A Novel (2018)
Exercises
Chapter Five: Invisible Engines: Purpose, Psychic Distance, and Point of
View
Student Craft Studio: Andrew Tiede, "Till Death"
Craft Studio: Chimamanda Ngozi Adichie, "The American Embassy" (2003)
Exercises
Chapter Six: Building a World - For Your Readers and Yourself
Student Craft Studio: Joel Murillo, "Cracker Jack"
Kari Myers, "Fields of Ash"
Craft Studio: Angela Carter, "The Tiger's Bride" (1979)
Exercises
Chapter Seven: Trust the Process: Revising, Editing, and Writing At Length
Teacher Craft Studio: Amy Weldon, "The Serpent" (2018)
Exercises
Chapter Eight: Creative Writing and Your Future
Student Career Studio: Andrew Chan, Derek Lin, Reed Johnson, MD, and Annika
Dome
MFA Studio: Keith Lesmeister, "East of Ely" (2017)
Dr Weldon's Fiction Prescriptions
