Adverse Winds - Huidobro, Vicente
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Adverse Winds (Vientos contrarios) is a collection of essays, aphorisms, and observations, published by Huidobro in Santiago in 1926, after many years in Europe. At this remove it is perhaps difficult to grasp that in 1926, Vicente Huidobro (1893-1948), who had cut something of a swathe through literary Paris - albeit not quite as thorough a swathe as he would sometimes have us believe - was almost unknown back home in Santiago. He had published nothing there apart from self-financed volumes of juvenilia before his departure for Paris in 1916, and his new avant-garde work from the Paris period…mehr

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Produktbeschreibung
Adverse Winds (Vientos contrarios) is a collection of essays, aphorisms, and observations, published by Huidobro in Santiago in 1926, after many years in Europe. At this remove it is perhaps difficult to grasp that in 1926, Vicente Huidobro (1893-1948), who had cut something of a swathe through literary Paris - albeit not quite as thorough a swathe as he would sometimes have us believe - was almost unknown back home in Santiago. He had published nothing there apart from self-financed volumes of juvenilia before his departure for Paris in 1916, and his new avant-garde work from the Paris period was mostly unknown and mostly not very welcome in backward Santiago.Needing to attract some attention upon his return, Huidobro assembled this collection of statements, aphorisms and cod-memoirs as an introduction to the serious new self that he wished to present to those who might have heard a few rumours of his successes abroad, but would be puzzled by having seen nothing of his writing. The soon-to-be broken marriage and the surrounding scandal were to ruin his attempts in this direction, and caused his flight back to Europe, this time alone and pursued by death-threats from irate relatives of his new paramour. Looked at objectively, the book is a grab-bag, including some fascinating and notorious statements (the poet is a little god; I will be the premier poet of my time, etc.), alongside a number of interesting sideswipes at writers he wished to denigrate. His excursions - daring for their time - into matters of love, sex and infidelity in the book must have struck many after his hurried departure as being, at the very least, misguided. The heartfelt tribute to Teresa Wilms, a great beauty, and a talented prose-writer, dead by her own hand at 28, is undermined somewhat by that fact Vicente had had an affair with her in 1916 and that just about everyone in the tight-knit aristocratic circles in which he moved would have known this. One imagines that his now-estranged wife would have been doubly unamused.The book should be seen as an adjunct to the previous year's collection of Manifestos (also available in this series), and as another staging post on the poet's path towards a position of mastery.
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Autorenporträt
Avant-garde poet Vicente Huidobro was born into an aristocratic family in Santiago, Chile. He is known as the creator and exponent of the literary movement called Creationism (Creacionismo), a kind of literary Cubism which combined aspects of modernism with neo-platonism and the writings of Ralph Waldo Emerson. After studying literature at the University of Chile, he lived in Paris for about ten years, where he associated with poets and artists such as Pablo Picasso, Guillame Apollinaire, and Pierre Reverdy. Huidobro returned to Chile in the mid-1920s, founded a number of magazines, and ran for the presidency of Chile, ultimately losing the campaign. His most definitive works are Altazor and Temblor de cielo (both 1931), but the late collections, Ciudadano del olvido and Ver y palpar (both 1941) sum up his then-uncollected mature work over some 250 pages and demonstrate his undoubted status as a major figure in latin American, and indeed, world poetry. He was an activist against the Franco regime in the 1930s and served as a war correspondent during World War 2, being wounded in the process. He died in Cartagena, Chile in 1948, at the age of 56.