Donald Preziosi (Professor of Art History Professor of Art History, Louise Hitchcock (Research Associate of the Institute of Archaeolog
Aegean Art and Architecture
Donald Preziosi (Professor of Art History Professor of Art History, Louise Hitchcock (Research Associate of the Institute of Archaeolog
Aegean Art and Architecture
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Beginning with the Neolithic period, pre-3000 BCE, and ending at the close of the Bronze Age and the transition to the Iron Age of Hellenic Greece (c1000 BCE), this text is an introduction to the visual arts and architecture of the era. The historical and social context of the art is discussed.
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Beginning with the Neolithic period, pre-3000 BCE, and ending at the close of the Bronze Age and the transition to the Iron Age of Hellenic Greece (c1000 BCE), this text is an introduction to the visual arts and architecture of the era. The historical and social context of the art is discussed.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Oxford History of Art
- Verlag: Oxford University Press
- Seitenzahl: 272
- Erscheinungstermin: 24. Februar 2000
- Englisch
- Abmessung: 238mm x 168mm x 17mm
- Gewicht: 678g
- ISBN-13: 9780192842084
- ISBN-10: 0192842080
- Artikelnr.: 21892827
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Oxford History of Art
- Verlag: Oxford University Press
- Seitenzahl: 272
- Erscheinungstermin: 24. Februar 2000
- Englisch
- Abmessung: 238mm x 168mm x 17mm
- Gewicht: 678g
- ISBN-13: 9780192842084
- ISBN-10: 0192842080
- Artikelnr.: 21892827
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Donald Preziosi is Professor of Art History, UCLA, where he developed and directs the art history critical theory programme, as well as the UCLA museum studies programme. Dr Louise Hitchcock is a Research Associate of the Institute of Archaeology at UCLA. She received the prestigious Edward A. Dickson Fellowship on several occasions prior to completing her Ph.D., and was a Fellow of the American School of Classical Studies, Athens.
* 1: Introduction: Aegean Art and Architecture * The environment
Discovering the Aegean World
Art and art history
Objectives
Organization. * 2: The Neolithic Period and the Prepalatial Early Bronze Age * Settlements
Burial practices. * 3: The First Palace Period * Middle Bronze Age palaces and villas
The vernacular tradition in Greece and Crete
Ritual practices
Summary. * 4: The Second Palace Period * Public art, private art, and the palatial architectural style
The Second Palaces: Knossos, Phaistos, Gournia, and Kato Zakro
Minoan villas: function and design
The terminology and typology of Minoan palatial buildings
The Minoan and Mycenaean spheres of influence
Religious practices
Burial practices. * 5: Mycenaean Domination and the Minoan Tradition * The Mycenaean palace at Pylos
The Mycenaean palace at Knossos
Haghia Triadha and Kommos
The continuation of Minoan building techniques in the Third Palace Period
Burial practices
The Mycenaean shrine at Phylakopi
The circuit walls at Mycenae and Tiryns. * 6: Conclusion: Disruptions, (Dis)Continuities, and the Bronze Age * The eastward migration of Aegean traditions
The international style
Cyprus, Palestine, and the Peoples of the Sea
Tradition and transformation
What goes around comes around: Daedalus returns to Crete. * Notes
List of Illustrations
Bibliographic Essay
Timeline
Index
Discovering the Aegean World
Art and art history
Objectives
Organization. * 2: The Neolithic Period and the Prepalatial Early Bronze Age * Settlements
Burial practices. * 3: The First Palace Period * Middle Bronze Age palaces and villas
The vernacular tradition in Greece and Crete
Ritual practices
Summary. * 4: The Second Palace Period * Public art, private art, and the palatial architectural style
The Second Palaces: Knossos, Phaistos, Gournia, and Kato Zakro
Minoan villas: function and design
The terminology and typology of Minoan palatial buildings
The Minoan and Mycenaean spheres of influence
Religious practices
Burial practices. * 5: Mycenaean Domination and the Minoan Tradition * The Mycenaean palace at Pylos
The Mycenaean palace at Knossos
Haghia Triadha and Kommos
The continuation of Minoan building techniques in the Third Palace Period
Burial practices
The Mycenaean shrine at Phylakopi
The circuit walls at Mycenae and Tiryns. * 6: Conclusion: Disruptions, (Dis)Continuities, and the Bronze Age * The eastward migration of Aegean traditions
The international style
Cyprus, Palestine, and the Peoples of the Sea
Tradition and transformation
What goes around comes around: Daedalus returns to Crete. * Notes
List of Illustrations
Bibliographic Essay
Timeline
Index
* 1: Introduction: Aegean Art and Architecture * The environment
Discovering the Aegean World
Art and art history
Objectives
Organization. * 2: The Neolithic Period and the Prepalatial Early Bronze Age * Settlements
Burial practices. * 3: The First Palace Period * Middle Bronze Age palaces and villas
The vernacular tradition in Greece and Crete
Ritual practices
Summary. * 4: The Second Palace Period * Public art, private art, and the palatial architectural style
The Second Palaces: Knossos, Phaistos, Gournia, and Kato Zakro
Minoan villas: function and design
The terminology and typology of Minoan palatial buildings
The Minoan and Mycenaean spheres of influence
Religious practices
Burial practices. * 5: Mycenaean Domination and the Minoan Tradition * The Mycenaean palace at Pylos
The Mycenaean palace at Knossos
Haghia Triadha and Kommos
The continuation of Minoan building techniques in the Third Palace Period
Burial practices
The Mycenaean shrine at Phylakopi
The circuit walls at Mycenae and Tiryns. * 6: Conclusion: Disruptions, (Dis)Continuities, and the Bronze Age * The eastward migration of Aegean traditions
The international style
Cyprus, Palestine, and the Peoples of the Sea
Tradition and transformation
What goes around comes around: Daedalus returns to Crete. * Notes
List of Illustrations
Bibliographic Essay
Timeline
Index
Discovering the Aegean World
Art and art history
Objectives
Organization. * 2: The Neolithic Period and the Prepalatial Early Bronze Age * Settlements
Burial practices. * 3: The First Palace Period * Middle Bronze Age palaces and villas
The vernacular tradition in Greece and Crete
Ritual practices
Summary. * 4: The Second Palace Period * Public art, private art, and the palatial architectural style
The Second Palaces: Knossos, Phaistos, Gournia, and Kato Zakro
Minoan villas: function and design
The terminology and typology of Minoan palatial buildings
The Minoan and Mycenaean spheres of influence
Religious practices
Burial practices. * 5: Mycenaean Domination and the Minoan Tradition * The Mycenaean palace at Pylos
The Mycenaean palace at Knossos
Haghia Triadha and Kommos
The continuation of Minoan building techniques in the Third Palace Period
Burial practices
The Mycenaean shrine at Phylakopi
The circuit walls at Mycenae and Tiryns. * 6: Conclusion: Disruptions, (Dis)Continuities, and the Bronze Age * The eastward migration of Aegean traditions
The international style
Cyprus, Palestine, and the Peoples of the Sea
Tradition and transformation
What goes around comes around: Daedalus returns to Crete. * Notes
List of Illustrations
Bibliographic Essay
Timeline
Index