Aerial Environments on the Early Modern Stage - Preedy, Chloe Kathleen
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During the early days of the professional English theatre, dramatists wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. This book considers the various ways in which the air is brought into presence within early modern drama.

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Produktbeschreibung
During the early days of the professional English theatre, dramatists wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. This book considers the various ways in which the air is brought into presence within early modern drama.
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Autorenporträt
Chloe Kathleen Preedy is a Senior Lecturer in Shakespeare & Renaissance Literature at the University of Exeter. She is the author of Marlowe's Literary Scepticism: Politic Religion and Post-Reformation Polemic (2013), which won the Roma Gill Prize in 2015. Her current publication projects include a co-edited special issue of Performance Research on the air's presence in contemporary performance; a co-edited volume on Thomas Nashe's authorial performances; and, with Professor William Sherman, a forthcoming Arden edition of Christopher Marlowe's The Jew of Malta. She is a principal investigator for the AHRC-funded project Atmospheric Theatre: Open-Air Performance and the Environment (2018-21).