"This essay collection illustrates how intertextuality in music videos can be used to create aesthetic patterns and develop a political agenda. Located at the intersection of different semiotic systems, music videos can juxtapose contrasting areas - folk culture, politics, psychology - in unconventional ways. Authored by a group of international scholars, analyzing an original selection of artists, this collection examines music videos as a transmedial practice which views intertextuality as a token of audio-visual popular culture and contemporary (post)human subjectivity. The ebook editions…mehr
"This essay collection illustrates how intertextuality in music videos can be used to create aesthetic patterns and develop a political agenda. Located at the intersection of different semiotic systems, music videos can juxtapose contrasting areas - folk culture, politics, psychology - in unconventional ways. Authored by a group of international scholars, analyzing an original selection of artists, this collection examines music videos as a transmedial practice which views intertextuality as a token of audio-visual popular culture and contemporary (post)human subjectivity. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 license on bloomsburycollections.com"--
Tomasz Dobrogoszcz is Professor in the Institute of English Studies at the University of Lodz, Poland. He is the editor of Nobody Expects the Spanish Inquisition: Cultural Contexts In Monty Python (2014) and the author of Family and Relationships in Ian McEwan's Fiction (2018). Agata Handley is Assistant Professor in the Institute of English Studies at the University of Lodz, Poland. She is the author of Constructing Identity: The Poetry of Tony Harrison (2021) and Editor-in-Chief of the interdisciplinary academic journal Text Matters: A Journal of Literature, Theory and Culture. Tomasz Fisiak is Assistant Professor in the Department of Canadian, Intermedial and Postcolonial Studies, Institute of English Studies at the University of Lodz, Poland. He is the author of She-(d)evils?: The Construction of a Female Tyrant as a Cultural Critique (2020) and the co-editor of The Postworld In-Between Utopia and Dystopia: Intersectional, Feminist, and Non-Binary Approaches in 21st-Century Speculative Literature and Culture (2021, with Katarzyna Ostalska). He is Managing Editor of the interdisciplinary academic journal Text Matters: A Journal of Literature, Theory and Culture.
Inhaltsangabe
Part 1: Music Video as New Transmedial Practice 1. Integrated Pop: Intertextuality Music Video and Transmedia Production Modes in Popular Music Christofer Jost Albert-Ludwigs-Universität Freiburg Germany 2. Music Video Meets Social Media: Intertextuality New Aesthetics and the Development of New Practices Eduardo Viñuela University of Oviedo Spain 3. Nostalgic Simulation: Intertextuality and Gaming in Muse's 'Thought Contagion' Video Agata Handley and Tomasz Dobrogoszcz University of Lodz Poland 4. "Take Me to Your Venus (To the Planet)" - Media Hybrids and the Migration of Signifiers between Pop and Art in Current Music Video Kathrin Dreckmann Heinrich-Heine-Universität Düsseldorf Germany Part 2: Intertextuality as a Tool of Political Engagement 5. Interpreting Multimodal Subjectivity in Music Video: Oceans of Slumber Cammie Gilbert and Discourses of Race and Gender in Gothic/Doom Metal Lori Burns University of Ottawa Canada 6. Part of Whose World? Intertextuality Media-Lore and Ethnic Identity in Mermaid-themed Music Videos Dorota Filipczak University of Lodz Poland and Philip Hayward University of Technology Australia 7. "Our time has come your time is up": The Song Suffragettes' March for Gender Equality in Country Music Jada Watson University of Ottawa Canada 8. Gold Diggers of MTV: Creating New Gender Narratives from the Busby Berkeley 'Showgirl' Trope Karen Fournier University of Michigan USA 9. Ecofeminist Voices and Body Politics in Björk's AURORA's and MØ's Music Videos Anna-Elena Pääkkölä University of Turku Finland Part 3: Repetition with a Difference: Re-Cycling Aesthetic Patterns 10. Goggly Gogol? Johnny Zhivago? The Heaven Seventeen? On Transfictional and Stylistic References to Stanley Kubrick's Films in Music Videos Konrad Klejsa and Adam Cybulski University of Lodz Poland 11. "I don't wanna fit in I just wanna.": Cinematic Intertextuality in Early 2000s Emo Music Videos Michael N. Goddard Goldsmiths University of London UK 12. Sophie Muller's Gothic Intertexts Tomasz Fisiak University of Lodz Poland and Malgorzata Grajter University of Music in Lodz Poland
Part 1: Music Video as New Transmedial Practice 1. Integrated Pop: Intertextuality Music Video and Transmedia Production Modes in Popular Music Christofer Jost Albert-Ludwigs-Universität Freiburg Germany 2. Music Video Meets Social Media: Intertextuality New Aesthetics and the Development of New Practices Eduardo Viñuela University of Oviedo Spain 3. Nostalgic Simulation: Intertextuality and Gaming in Muse's 'Thought Contagion' Video Agata Handley and Tomasz Dobrogoszcz University of Lodz Poland 4. "Take Me to Your Venus (To the Planet)" - Media Hybrids and the Migration of Signifiers between Pop and Art in Current Music Video Kathrin Dreckmann Heinrich-Heine-Universität Düsseldorf Germany Part 2: Intertextuality as a Tool of Political Engagement 5. Interpreting Multimodal Subjectivity in Music Video: Oceans of Slumber Cammie Gilbert and Discourses of Race and Gender in Gothic/Doom Metal Lori Burns University of Ottawa Canada 6. Part of Whose World? Intertextuality Media-Lore and Ethnic Identity in Mermaid-themed Music Videos Dorota Filipczak University of Lodz Poland and Philip Hayward University of Technology Australia 7. "Our time has come your time is up": The Song Suffragettes' March for Gender Equality in Country Music Jada Watson University of Ottawa Canada 8. Gold Diggers of MTV: Creating New Gender Narratives from the Busby Berkeley 'Showgirl' Trope Karen Fournier University of Michigan USA 9. Ecofeminist Voices and Body Politics in Björk's AURORA's and MØ's Music Videos Anna-Elena Pääkkölä University of Turku Finland Part 3: Repetition with a Difference: Re-Cycling Aesthetic Patterns 10. Goggly Gogol? Johnny Zhivago? The Heaven Seventeen? On Transfictional and Stylistic References to Stanley Kubrick's Films in Music Videos Konrad Klejsa and Adam Cybulski University of Lodz Poland 11. "I don't wanna fit in I just wanna.": Cinematic Intertextuality in Early 2000s Emo Music Videos Michael N. Goddard Goldsmiths University of London UK 12. Sophie Muller's Gothic Intertexts Tomasz Fisiak University of Lodz Poland and Malgorzata Grajter University of Music in Lodz Poland
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