In thirteen essays from different aesthetic traditions, Aesthetic Apprehensions: Silences and Absences in False Familiarities problematizes our habituated customs of seeing and reading the familiar to focus on that which cannot easily be comprehended but may be sensed through encounters with the ruptures and gaps that quietly beckon our attention.
In thirteen essays from different aesthetic traditions, Aesthetic Apprehensions: Silences and Absences in False Familiarities problematizes our habituated customs of seeing and reading the familiar to focus on that which cannot easily be comprehended but may be sensed through encounters with the ruptures and gaps that quietly beckon our attention.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jena Habegger-Conti is associate professor of English at the Western Norway University of Applied Sciences. Lene M. Johannessen is professor of American literature at the University of Bergen.
Inhaltsangabe
Introduction: Apprehending Aesthetic Apprehensions, Jena Habegger-Conti and Lene M Johannessen Chapter 1: Drawing Closer: Liminal Medievalism in the Post-punk Gothic, Aidan Conti Chapter 2: A Chair is not a House: Sepulchral Intimacies in Sharp Objects, Janne Stigen Drangsholt Chapter 3: "The Immortal Conception, the Perennial Theme": Reading the Modern Body in Willa Cather's "Coming, Aphrodite!", Ingrid Galtung Chapter 4: Not Reading the Signs in Nick Drnaso's Sabrina, Jena Habegger-Conti Chapter 5: Apprehensive Figurations: Monuments in "Site-Specific Performances", Lene M. Johannessen Chapter 6: Apprehending the Past in the National Parks: False Familiarities, Aesthetic, Imaginaries, and Indigenous Erasures, Jennifer Ladino Chapter 7: The Garrulous Eye: Allegorization of Rape in Djuna Barnes' "Ryder", Helle Häkonsen Lapeniene Chapter 8: Metonymy and the "Art of Reading the World Slowly", Genevieve Liveley Chapter 9: Aesthetic Apprehensions, Hauntology and Just Literature, Ruben Moi Chapter 10: Close Reading and Critical Immersion, Timothy Saunders Chapter 11: Indians, Aliens, and Superheroes: Countering Silence and the Invisual in David Mack's Echo: Vision Quest, Sara L. Spurgeon Chapter 12: Listening to Ourselves: The Musician as Listener in Rafi Zabor's The Bear Comes Home, Zoltan Varga Chapter 13. Harlem to World and World to Harlem: Revisiting the Transnational Negotiations of Harlem Renaissance Narratives, Nahum Welang
Introduction: Apprehending Aesthetic Apprehensions, Jena Habegger-Conti and Lene M Johannessen Chapter 1: Drawing Closer: Liminal Medievalism in the Post-punk Gothic, Aidan Conti Chapter 2: A Chair is not a House: Sepulchral Intimacies in Sharp Objects, Janne Stigen Drangsholt Chapter 3: "The Immortal Conception, the Perennial Theme": Reading the Modern Body in Willa Cather's "Coming, Aphrodite!", Ingrid Galtung Chapter 4: Not Reading the Signs in Nick Drnaso's Sabrina, Jena Habegger-Conti Chapter 5: Apprehensive Figurations: Monuments in "Site-Specific Performances", Lene M. Johannessen Chapter 6: Apprehending the Past in the National Parks: False Familiarities, Aesthetic, Imaginaries, and Indigenous Erasures, Jennifer Ladino Chapter 7: The Garrulous Eye: Allegorization of Rape in Djuna Barnes' "Ryder", Helle Häkonsen Lapeniene Chapter 8: Metonymy and the "Art of Reading the World Slowly", Genevieve Liveley Chapter 9: Aesthetic Apprehensions, Hauntology and Just Literature, Ruben Moi Chapter 10: Close Reading and Critical Immersion, Timothy Saunders Chapter 11: Indians, Aliens, and Superheroes: Countering Silence and the Invisual in David Mack's Echo: Vision Quest, Sara L. Spurgeon Chapter 12: Listening to Ourselves: The Musician as Listener in Rafi Zabor's The Bear Comes Home, Zoltan Varga Chapter 13. Harlem to World and World to Harlem: Revisiting the Transnational Negotiations of Harlem Renaissance Narratives, Nahum Welang
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