Much of contemporary philosophy regards aesthetics as of lesser significance than epistemology, ethics, metaphysics, or the philosophy of language. Here, Andrew Bowie explores the crucial implications that art and aesthetics have for those areas of philosophy, revealing unresolved tensions between the different cultural domains of the modern world.
Much of contemporary philosophy regards aesthetics as of lesser significance than epistemology, ethics, metaphysics, or the philosophy of language. Here, Andrew Bowie explores the crucial implications that art and aesthetics have for those areas of philosophy, revealing unresolved tensions between the different cultural domains of the modern world.
Andrew Bowie is Professor Emeritus of Philosophy and German at Royal Holloway, University of London. He has published very widely on Philosophy, as well as musical and literary topics, including German Philosophy: A Very Short Introduction. He studied Modern Languages at Cambridge University and attained a PhD in Comparative Literature at the University of East Anglia. He was a DAAD scholar at the Free University in Berlin, Professor of Philosophy at Anglia Ruskin University, Alexander von Humboldt Research Fellow in Philosophy at Tübingen University, and twice Leverhulme Major Research Fellow in Philosophy. He is also a jazz saxophonist.
Inhaltsangabe
Introduction 1: Grounding the Subject 2: The Nature of the Subject 3: The Aesthetic Demand 4: The Art of Language and the Language of Art 5: The Value of the Aesthetic 6: The World of Art 7: Art, Commodity, and Metaphysics Conclusion
Introduction 1: Grounding the Subject 2: The Nature of the Subject 3: The Aesthetic Demand 4: The Art of Language and the Language of Art 5: The Value of the Aesthetic 6: The World of Art 7: Art, Commodity, and Metaphysics Conclusion
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