Aesthetic Practices in African Tourism explores 'Rastahood', a community, youth culture, and new tourist art form created by young men on the margins of the Ghanaian economy as they came of age at the turn of the millennium
Aesthetic Practices in African Tourism explores 'Rastahood', a community, youth culture, and new tourist art form created by young men on the margins of the Ghanaian economy as they came of age at the turn of the millenniumHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ruti Talmor is an Associate Professor of Media Studies at Pitzer College and Chair of the Intercollegiate Media Studies Program at the Claremont Colleges. As a cultural anthropologist, an art curator, and a Professor of Media Studies, Talmor's interdisciplinary work centers on how people use aesthetic objects and practices to craft a place for themselves in the world. This diverse but interrelated body of work sits at the intersection of the anthropology of art, media, and visual culture; the scholarship on migration, mobility, and global capitalism; gender and sexuality studies; and critical curatorial practice. Talmor has been a Fellow of the Getty Foundation, the Wenner-Gren Foundation for Anthropological Research, the Social Science Research Council, the Mellon Foundation, the McCracken Foundation, and the University of Michigan's Center for Afroamerican and African Studies.
Inhaltsangabe
Introduction: I and I: Artmaking, Mobility, and Intercultural Reproduction Chapter 1: Geography Is Destiny: Craft in Accra Chapter 2: Men at Work: Craftwork, Masculinity, and Precarity Chapter 3: From Elephants to Drums: Object, Performance, Mobility Chapter 4: Styling the Rasta Self Chapter 5: The Affective Labor of Crafting Freedom Conclusion: In the Beckoning Elsewhere References
Introduction: I and I: Artmaking, Mobility, and Intercultural Reproduction Chapter 1: Geography Is Destiny: Craft in Accra Chapter 2: Men at Work: Craftwork, Masculinity, and Precarity Chapter 3: From Elephants to Drums: Object, Performance, Mobility Chapter 4: Styling the Rasta Self Chapter 5: The Affective Labor of Crafting Freedom Conclusion: In the Beckoning Elsewhere References
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