There is no theory that is not aesthetic in a certain way. Adorno, too, did not understand his aesthetic theory simply as a theory of the aesthetic, but was aware of the aesthetic implications of theory. At the same time we have to do with aesthetic objects and events in which an aesthetic theory is inherent, which show themselves as art. So from both sides-theory and aesthetics-a link can be made to the etymological meaning of theoria, which understands the theoretical as a seeing or perspective. The book examines this link and simultaneity, focusing equally on the aesthetic implications of…mehr
There is no theory that is not aesthetic in a certain way. Adorno, too, did not understand his aesthetic theory simply as a theory of the aesthetic, but was aware of the aesthetic implications of theory. At the same time we have to do with aesthetic objects and events in which an aesthetic theory is inherent, which show themselves as art. So from both sides-theory and aesthetics-a link can be made to the etymological meaning of theoria, which understands the theoretical as a seeing or perspective. The book examines this link and simultaneity, focusing equally on the aesthetic implications of theory and the theoretical implications of aesthetic events.
With contributions by Frauke Berndt, Elisabeth Bronfen, Sandra Frimmel, Julia Gelshorn & Tristan Weddigen, Fabienne Liptay, Dieter Mersch, Klaus Müller-Wille, Barbara Naumann, Boris Previsic, Dorota Sajewska, Sylvia Sasse, Rahel Villinger, Benno Wirz, Sandro Zanetti. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
Sandro Zanetti ist Professor für Allgemeine und Vergleichende Literaturwissenschaft an der Universität Zürich. Er studierte Germanistik, Geschichte und Philosophie in Basel, Freiburg im Breisgau und Tübingen. Bis zu seinem Wechsel nach Zürich 2011 forschte und lehrte er in Frankfurt am Main, Basel, Berlin und Hildesheim. Die aktuellen Forschungsschwerpunkte liegen im Bereich der Produktionsästhetik, der Literatur und Kunst der Avantgarde sowie der Poetik der (Un-)Wahrscheinlichkeit.
Sylvia Sasse ist Professorin für Slawistische Literaturwissenschaft an der Universität Zürich. Sie ist Mitbegründerin des ZKK (Zentrum für Künste und Kulturtheorie), Mitglied des ZGW (Zentrum Geschichte des Wissens) und Mitherausgeberin von »Geschichte der Gegenwart«(www.geschichtedergegenwart.ch).
Inhaltsangabe
7 - 20 Introduction (Dieter Mersch, Sylvia Sasse, Sandro Zanetti)21 - 36 Rock Sample: Alexander Gottlieb Baumgarten (Frauke Berndt)37 - 52 Theory as Resonance: Denis Diderot (Boris Previsic)53 - 68 Theory as Narrative: Sigmund Freud (Elisabeth Bronfen)69 - 86 Auratic Theory: Walter Benjamin (Sandro Zanetti)87 - 108 Material Aesthetics: Asger Jorn (Klaus Müller-Wille)109 - 124 The Theoretical Act (Sylvia Sasse)125 - 142 Necroperformance: Theory as Remains (Dorota Sajewska)143 - 162 Practical Epistemology: William Kentridge (Fabienne Liptay)163 - 176 The Formation of Cosmogonies: Camille Henrot (Julia Gelshorn, Tristan Weddigen)177 - 198 Facing the Text: Julian Rosefeldt (Barbara Naumann)199 - 218 Aesthetic Judgment: Alexander Kluge (Rahel Villinger)219 - 236 Aesthetic Thinking: Art as theoria (Dieter Mersch)237 - 252 Shadows of Theory: Figures of Thought (Benno Wirz)253 - 266 Notes on the Cover: Yuri Albert's Figurative Thinking (Sandra Frimmel)267 - 268 List of illustrations269 - 272 About the authors (Dieter Mersch)
7 - 20 Introduction (Dieter Mersch, Sylvia Sasse, Sandro Zanetti)21 - 36 Rock Sample: Alexander Gottlieb Baumgarten (Frauke Berndt)37 - 52 Theory as Resonance: Denis Diderot (Boris Previsic)53 - 68 Theory as Narrative: Sigmund Freud (Elisabeth Bronfen)69 - 86 Auratic Theory: Walter Benjamin (Sandro Zanetti)87 - 108 Material Aesthetics: Asger Jorn (Klaus Müller-Wille)109 - 124 The Theoretical Act (Sylvia Sasse)125 - 142 Necroperformance: Theory as Remains (Dorota Sajewska)143 - 162 Practical Epistemology: William Kentridge (Fabienne Liptay)163 - 176 The Formation of Cosmogonies: Camille Henrot (Julia Gelshorn, Tristan Weddigen)177 - 198 Facing the Text: Julian Rosefeldt (Barbara Naumann)199 - 218 Aesthetic Judgment: Alexander Kluge (Rahel Villinger)219 - 236 Aesthetic Thinking: Art as theoria (Dieter Mersch)237 - 252 Shadows of Theory: Figures of Thought (Benno Wirz)253 - 266 Notes on the Cover: Yuri Albert's Figurative Thinking (Sandra Frimmel)267 - 268 List of illustrations269 - 272 About the authors (Dieter Mersch)
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