Aesthetics and Ideology of D. H. Lawrence, Virginia Woolf, and T. S. Eliot explores the correlation between the aesthetic and the ideological in Modernism, with special focus on Lawrence, Woolf, and Eliot. It challenges common views of modernists as opponents of established religious, political, and social order.
Aesthetics and Ideology of D. H. Lawrence, Virginia Woolf, and T. S. Eliot explores the correlation between the aesthetic and the ideological in Modernism, with special focus on Lawrence, Woolf, and Eliot. It challenges common views of modernists as opponents of established religious, political, and social order.
Petar Penda is associate professor of English at the University of Banja Luka.
Inhaltsangabe
Introduction 1. Modernism Reconsidered/ Reconsidering Modernism 2. Politics, Sex, and Identity in Lady Chatterley's Lover 3. Private and Public Self: Ideology of the Aesthetic in Mrs. Dalloway 4. To the Lighthouse-Structure Hidden Behind 'Chaotic' Narrative Technique 5. Politics of Multiple Identities in Orlando 6. Aesthetics of Disorder in The Waste Land 7. Aesthetics of Nihilism: Convention in the Service of Ideology inT. S. Eliot's Four Quartets 8. Conclusion
Introduction 1. Modernism Reconsidered/ Reconsidering Modernism 2. Politics, Sex, and Identity in Lady Chatterley's Lover 3. Private and Public Self: Ideology of the Aesthetic in Mrs. Dalloway 4. To the Lighthouse-Structure Hidden Behind 'Chaotic' Narrative Technique 5. Politics of Multiple Identities in Orlando 6. Aesthetics of Disorder in The Waste Land 7. Aesthetics of Nihilism: Convention in the Service of Ideology inT. S. Eliot's Four Quartets 8. Conclusion
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