Argument and imagination are often interdependent. Martin Warner explores how this relationship bears on argument's concern with truth, not just persuasion. He argues that the rationality of argument is not only a matter of deductive validity, but can be assessed in terms of criteria drawn from the study of imaginative literature.
Argument and imagination are often interdependent. Martin Warner explores how this relationship bears on argument's concern with truth, not just persuasion. He argues that the rationality of argument is not only a matter of deductive validity, but can be assessed in terms of criteria drawn from the study of imaginative literature.
Martin Warner studied for his BPhil under the supervision of Gilbert Ryle, and taught philosophy for many years at the University of Warwick, where he is now Associate Fellow of its Centre for Research in Philosophy, Literature, and the Arts, which he helped to found. He jointly edits the Ashgate book series 'Transcending Boundaries in Philosophy and Theology', and is a member of the Council of the Royal Institute of Philosophy. His research interests lie in the assessment of rational persuasion, in the relationships of philosophy with both literature and theology, and in the transformative and persuasive powers of language.
Inhaltsangabe
Preface I: From Analogy to Narrative II: From Self-involvement to Judgement: the Potentialities of Plato's Phaedrus III: Dialectical Drama: the Dynamics of Plato's Symposium IV: Philosophical Autobiography: St. Augustine and John Stuart Mill V: The Fourth Gospel's Art of Rational Persuasion VI: Philosophical Poetry: the Case of Four Quartets VII: The "Logic" of Imagery I--The Poetic Image VIII: The "Logic" of Imagery II--Logic, Argument, and Imagery Afterword Bibliography Index
Preface I: From Analogy to Narrative II: From Self-involvement to Judgement: the Potentialities of Plato's Phaedrus III: Dialectical Drama: the Dynamics of Plato's Symposium IV: Philosophical Autobiography: St. Augustine and John Stuart Mill V: The Fourth Gospel's Art of Rational Persuasion VI: Philosophical Poetry: the Case of Four Quartets VII: The "Logic" of Imagery I--The Poetic Image VIII: The "Logic" of Imagery II--Logic, Argument, and Imagery Afterword Bibliography Index
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