Exploring aesthetic decision-making skills through active, critical interpretation of the screenplay, this book investigates the ways filmmakers can take a screenplay and translate that into a powerful film.
Exploring aesthetic decision-making skills through active, critical interpretation of the screenplay, this book investigates the ways filmmakers can take a screenplay and translate that into a powerful film.
James B. Joyce is an Associate Professor at Cleveland State University, covering foundational production courses through senior capstone productions with a philosophy of emphasizing a synthetic relationship between content and craft. Currently, James is in preproduction for two short films and is writing his second feature-length screenplay.
Inhaltsangabe
Preface Chapter 1: Aesthetics Chapter 2: Respecting the Audience Chapter 3: Story and Character Chapter 4: Critical Script Analysis for Technical and Aesthetic Decision Making Chapter 5: Training Your Gut Chapter 6: Developing an Evolving Aesthetic Chapter 7: Engaging and Surprising Characters Chapter 8: Applying Active Characters Chapter 9: What's Your Point (Of View) Chapter 10: Synthesis Chapter 11: Post-Production Begins in Pre-Production Chapter 12: Cinematography without a Camera Chapter 13: Understanding the Importance of Diegesis in Sound Design Chapter 14: The Long Listen... And Other Editing Structures Chapter 15: The Director's Responsibility to the Actor Chapter 16: Final Footholds: Your Call to Action Appendix A: Character Analysis Sheet Appendix B: Questions to Train Your Gut Appendix C: Sample Marked-Up Script Appendix D: Sample-Implied Narrator Perspectives Index
Preface Chapter 1: Aesthetics Chapter 2: Respecting the Audience Chapter 3: Story and Character Chapter 4: Critical Script Analysis for Technical and Aesthetic Decision Making Chapter 5: Training Your Gut Chapter 6: Developing an Evolving Aesthetic Chapter 7: Engaging and Surprising Characters Chapter 8: Applying Active Characters Chapter 9: What's Your Point (Of View) Chapter 10: Synthesis Chapter 11: Post-Production Begins in Pre-Production Chapter 12: Cinematography without a Camera Chapter 13: Understanding the Importance of Diegesis in Sound Design Chapter 14: The Long Listen... And Other Editing Structures Chapter 15: The Director's Responsibility to the Actor Chapter 16: Final Footholds: Your Call to Action Appendix A: Character Analysis Sheet Appendix B: Questions to Train Your Gut Appendix C: Sample Marked-Up Script Appendix D: Sample-Implied Narrator Perspectives Index
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