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Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes musical examples from works in the 18th, 19th, and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas. All essays…mehr

Produktbeschreibung
Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes musical examples from works in the 18th, 19th, and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas. All essays cover historical origins, sources, and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation.
Autorenporträt
Stephen Downes is Professor of Music at Royal Holloway, University of London.
Rezensionen
"The collection is welcome particularly for the variety of the subjects it includes and the depth of the treatments. The preface and introduction provide an organized entry into the essays: the editor explains the motives behind his editing of the collection and provides synopses of the 14 essays that follow...This volume is suitable for those researching musical aesthetics or philosophy. Summing Up: Recommended." --J. E. Wickell, Western Washington University, CHOICE

"The collection is welcome particularly for the variety of the subjects it includes and the depth of the treatments. The preface and introduction provide an organized entry into the essays: the editor explains the motives behind his editing of the collection and provides synopses of the 14 essays that follow...This volume is suitable for those researching musical aesthetics or philosophy. Summing Up: Recommended." --J. E. Wickell, Western Washington University, CHOICE