By elaborating his innovative account of pop music as a constellation, Diederichsen develops a theory that distinguishes itself from sociology, cultural studies, media studies and ethnography, while at the same time drawing on and encompassing them all.
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Greil Marcus, author of Lipstick Traces: A Secret History of the 20th Century
'Diedrich Diederichsen is an always compelling analyst of pop and rock music across all its many genres, and Aesthetics of Pop Music sheds new light on the capacities, identities and meanings of the form.'
Michael Bracewell, author of England is Mine: Pop Life in Albion from Wilde to Goldie
'an engaging read... With arguments from the Frankfurt school, examples of performers ranging from the 1950s to the twenty-first century, discussion of modern technical recording methods, and commentary on social media, Aesthetics of Pop Music will appeal to a variety of readers, particularly those in multimedia and cultural studies'
Journal of the Society for Musicology in Ireland