Drawing on contemporary Indigenous art practices, Aesthetics of Repair explores the collision of ceremonial protocols with visual forms of repair in the Pacific Northwest.
Drawing on contemporary Indigenous art practices, Aesthetics of Repair explores the collision of ceremonial protocols with visual forms of repair in the Pacific Northwest.
Eugenia Kisin is an associate professor of art and society at the Gallatin School of Individualized Study at New York University.
Inhaltsangabe
Introduction: Remediating Loss and Repair 1. Re-Enchanting Repair: Teaching from the "Dark Age" of Northwest Coast Art 2. Finding Repair: Contemporary Complicities and the Art of Collaboration 3. Across the Beat Nation 4. Cultural Resources and the Art/Work of Repair at the Freda Diesing School 5. Copper and the Conduit of Shame: Beau Dick’s Performance/Art 6. Transitional Properties Afterword: There Is (Still) Truth Here Figures References Index
Introduction: Remediating Loss and Repair 1. Re-Enchanting Repair: Teaching from the "Dark Age" of Northwest Coast Art 2. Finding Repair: Contemporary Complicities and the Art of Collaboration 3. Across the Beat Nation 4. Cultural Resources and the Art/Work of Repair at the Freda Diesing School 5. Copper and the Conduit of Shame: Beau Dick’s Performance/Art 6. Transitional Properties Afterword: There Is (Still) Truth Here Figures References Index
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