Aesthetics, Organization, and Humanistic Management
Herausgeber: Kostera, Monika; Wozniak, Cezary
Aesthetics, Organization, and Humanistic Management
Herausgeber: Kostera, Monika; Wozniak, Cezary
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This book is a reaction to the reductionist and exploitative ideas dominating the mainstream contemporary management discourse and practice, and an attempt to broaden the horizons of possibility for both managers and organization scholars.
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This book is a reaction to the reductionist and exploitative ideas dominating the mainstream contemporary management discourse and practice, and an attempt to broaden the horizons of possibility for both managers and organization scholars.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 242
- Erscheinungstermin: 28. Oktober 2020
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 513g
- ISBN-13: 9780367550073
- ISBN-10: 0367550075
- Artikelnr.: 60013224
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 242
- Erscheinungstermin: 28. Oktober 2020
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 513g
- ISBN-13: 9780367550073
- ISBN-10: 0367550075
- Artikelnr.: 60013224
Monika Kostera is Professor Ordinaria and Chair in Management at the Jagiellonian University, Poland and Professor in Management and Organization at Södertörn University, Sweden. Cezary Wöniak is a philosopher and Professor at Institute of Culture at Management and Social Communication Department at Jagiellonian University, Poland.
1. Introduction: Understanding organizing and the quest for wholeness
Cezary Wöniak and Monika Kostera. 2. Art & Organizing - A brief personal
reflection Antonio Strati. 3. The incompleteness theorem: The importance of
reinterpretation in management studies Jerzy Kociatkiewicz. 4. Hula-Hoops
and cigars, hiccups and stutters: Thinking with film about organisational
control Luc Peters and Anke Strauß. 5. Writing, dreams and imagination
Matilda Dahl, Pierre Guillet de Monthoux and Jenny Helin. 6. Conformity and
the Need for Roots. Two anarchist utopias and a Christian politea Piotr
Graczyk. 7. The Alchemical Life of Ernesta Thot - a romantic heroine of art
Marta Kudelska. 8. Rooted in transitory places of gathering: Performing
Spacing in Tino Sehgal's performance "These Situations" at the Palais de
Tokyo Jean-Luc Moriceau, Philippe Mairesse and Yannick Fronda. 9. Aesthetic
learning in an artistic intervention project for organizational creativity
- accepting feelings of uncertainty, anxiety, and fun Marja Soila-Wadman.
10. The Art of Creating the Unthinkable: Connecting Processes of
Engineering, Management and Aesthetics Allesandra Di Pisa and Robert
Stasinski. 11. Monuments to Enterprises in Communist-era Poland: The
creation and consolidation of an organisational identity through Art
Marcin Laberschek. 12. The Lure of The East in The Empires of Sight: does
changing ownership of colonial art challenge the notion of being 'colonised
by the gaze' Elizabeth Carnegie. 13. Exercises in sensemaking: 3,628,800
ways of writing organization and management Daniel Ericsson. 14. Is a
culture-forming interaction between art and management possible and on what
conditions? Mateusz Falkowski. 15. Prologue to filmic research(ing) Hugo
Letiche.
Cezary Wöniak and Monika Kostera. 2. Art & Organizing - A brief personal
reflection Antonio Strati. 3. The incompleteness theorem: The importance of
reinterpretation in management studies Jerzy Kociatkiewicz. 4. Hula-Hoops
and cigars, hiccups and stutters: Thinking with film about organisational
control Luc Peters and Anke Strauß. 5. Writing, dreams and imagination
Matilda Dahl, Pierre Guillet de Monthoux and Jenny Helin. 6. Conformity and
the Need for Roots. Two anarchist utopias and a Christian politea Piotr
Graczyk. 7. The Alchemical Life of Ernesta Thot - a romantic heroine of art
Marta Kudelska. 8. Rooted in transitory places of gathering: Performing
Spacing in Tino Sehgal's performance "These Situations" at the Palais de
Tokyo Jean-Luc Moriceau, Philippe Mairesse and Yannick Fronda. 9. Aesthetic
learning in an artistic intervention project for organizational creativity
- accepting feelings of uncertainty, anxiety, and fun Marja Soila-Wadman.
10. The Art of Creating the Unthinkable: Connecting Processes of
Engineering, Management and Aesthetics Allesandra Di Pisa and Robert
Stasinski. 11. Monuments to Enterprises in Communist-era Poland: The
creation and consolidation of an organisational identity through Art
Marcin Laberschek. 12. The Lure of The East in The Empires of Sight: does
changing ownership of colonial art challenge the notion of being 'colonised
by the gaze' Elizabeth Carnegie. 13. Exercises in sensemaking: 3,628,800
ways of writing organization and management Daniel Ericsson. 14. Is a
culture-forming interaction between art and management possible and on what
conditions? Mateusz Falkowski. 15. Prologue to filmic research(ing) Hugo
Letiche.
1. Introduction: Understanding organizing and the quest for wholeness
Cezary Wöniak and Monika Kostera. 2. Art & Organizing - A brief personal
reflection Antonio Strati. 3. The incompleteness theorem: The importance of
reinterpretation in management studies Jerzy Kociatkiewicz. 4. Hula-Hoops
and cigars, hiccups and stutters: Thinking with film about organisational
control Luc Peters and Anke Strauß. 5. Writing, dreams and imagination
Matilda Dahl, Pierre Guillet de Monthoux and Jenny Helin. 6. Conformity and
the Need for Roots. Two anarchist utopias and a Christian politea Piotr
Graczyk. 7. The Alchemical Life of Ernesta Thot - a romantic heroine of art
Marta Kudelska. 8. Rooted in transitory places of gathering: Performing
Spacing in Tino Sehgal's performance "These Situations" at the Palais de
Tokyo Jean-Luc Moriceau, Philippe Mairesse and Yannick Fronda. 9. Aesthetic
learning in an artistic intervention project for organizational creativity
- accepting feelings of uncertainty, anxiety, and fun Marja Soila-Wadman.
10. The Art of Creating the Unthinkable: Connecting Processes of
Engineering, Management and Aesthetics Allesandra Di Pisa and Robert
Stasinski. 11. Monuments to Enterprises in Communist-era Poland: The
creation and consolidation of an organisational identity through Art
Marcin Laberschek. 12. The Lure of The East in The Empires of Sight: does
changing ownership of colonial art challenge the notion of being 'colonised
by the gaze' Elizabeth Carnegie. 13. Exercises in sensemaking: 3,628,800
ways of writing organization and management Daniel Ericsson. 14. Is a
culture-forming interaction between art and management possible and on what
conditions? Mateusz Falkowski. 15. Prologue to filmic research(ing) Hugo
Letiche.
Cezary Wöniak and Monika Kostera. 2. Art & Organizing - A brief personal
reflection Antonio Strati. 3. The incompleteness theorem: The importance of
reinterpretation in management studies Jerzy Kociatkiewicz. 4. Hula-Hoops
and cigars, hiccups and stutters: Thinking with film about organisational
control Luc Peters and Anke Strauß. 5. Writing, dreams and imagination
Matilda Dahl, Pierre Guillet de Monthoux and Jenny Helin. 6. Conformity and
the Need for Roots. Two anarchist utopias and a Christian politea Piotr
Graczyk. 7. The Alchemical Life of Ernesta Thot - a romantic heroine of art
Marta Kudelska. 8. Rooted in transitory places of gathering: Performing
Spacing in Tino Sehgal's performance "These Situations" at the Palais de
Tokyo Jean-Luc Moriceau, Philippe Mairesse and Yannick Fronda. 9. Aesthetic
learning in an artistic intervention project for organizational creativity
- accepting feelings of uncertainty, anxiety, and fun Marja Soila-Wadman.
10. The Art of Creating the Unthinkable: Connecting Processes of
Engineering, Management and Aesthetics Allesandra Di Pisa and Robert
Stasinski. 11. Monuments to Enterprises in Communist-era Poland: The
creation and consolidation of an organisational identity through Art
Marcin Laberschek. 12. The Lure of The East in The Empires of Sight: does
changing ownership of colonial art challenge the notion of being 'colonised
by the gaze' Elizabeth Carnegie. 13. Exercises in sensemaking: 3,628,800
ways of writing organization and management Daniel Ericsson. 14. Is a
culture-forming interaction between art and management possible and on what
conditions? Mateusz Falkowski. 15. Prologue to filmic research(ing) Hugo
Letiche.