Inela Selimovic

Affective Moments in the Films of Martel, Carri, and Puenzo

• Gebundenes Buch

Produktbeschreibung

This book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimovic argues, result in "affective moments" that relate to the films' core arguments. They also signal these filmmakers' novel insights on complex manifestations of memory, desire, and violence. The chapters explore how the presence of pronounced-but reticent-affect complicates emotional bonding in the everydayness depicted in these films. By bringing out moments of affect in these filmmakers' diegetic worlds, this book traces the ways in which subtle foci on gender, class, race, and sexuality correlate in these Argentine women's films.

Produktdetails

• Verlag: Palgrave Macmillan / Palgrave Macmillan UK / Springer Palgrave Macmillan
• Artikelnr. des Verlages: 978-1-137-49641-6
• 1st ed. 2018
• Seitenzahl: 276
• Erscheinungstermin: 18. April 2018
• Englisch
• Abmessung: 216mm x 153mm x 20mm
• Gewicht: 486g
• ISBN-13: 9781137496416
• ISBN-10: 113749641X
• Artikelnr.: 49051977

Autorenporträt

Inela Selimovi¿ is Assistant Professor of Spanish at Wellesley College, USA. 

Inhaltsangabe

1. Introduction.- 2. Part I MINORS AND HOMEBOUND VIOLENCE - Retributive Affects in Albertina Carri's La rabia (2008).- 3. Affective Otherness in Lucrecia Martel's La ciénaga (2001).- 4. Lucía Puenzo's El niño pez (2009): Fluid Intimacies, Affective Dwelling.- 5. Part II REMEDIATIONS AND AFFECT - The Hypermediacy Appeal in Albertina Carri's Los rubios (2003).- 6. Muted Gestures, Screaming Affects in Lucrecia Martel's La mujer sin cabeza (2008).- 7. Ghostly Pasts and Contested Silence in Lucía Puenzo's Wakolda: El médico alemán (2013).- 8. Part III BOLD BOREDOMS, LIBIDINOUS AFFECTS - Compulsory Boredom and Cerulean Desires in Lucía Puenzo's XXY (2007).- 9. Albertina Carri's Géminis (2005): Leisurely Boredom, Incestuous Discontent.- 10. Lucrecia Martel's La niña santa (2004): On Waiting, Monotony, and Agentic Kinesthesis.- 11. Conclusion.