These essays reflect on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities.
These essays reflect on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities.
Chapter 6: Race and History on the Operatic Stage: Caterina Jarboro Sings Aida Lucy Caplan
Music & Visual Art as Activism Chapter 7: “I Am Basquiat”: Tracing Jean-Michel Basquiat's Alterity and Activism in Paint and Performance Genevieve Hyacinthe
Chapter 8: “I Luh God”: Erica Campbell, Trap Gospel and the Moral Mask of Language Discrimination Sammantha McCalla
Chapter 9: The Hidden Code of the Kongo Cosmogram in African American Art and Culture Nettrice R. Gaskins
Chapter 10: From Baldwin to Beyoncé: Exploring the Responsibility of the Artist in Society--- Re-envisioning the Black Female Sonic Artist as Citizen Abby Dobson
Chapter 11: Slaying “Formation”: A Queering of Black Radical Tradition J. Michael Kinsey
Institutions of Activism Chapter 12: Centering Blackness Through Performance in Every 28 Hours Shondrika Moss-Bouldin
Chapter 13: Dancing for Justice Philadelphia: Embodiment, Dance, and Social Change Julie B. Johnson
Chapter 14: A Conversation with Freddie Hendricks of the Freddie Hendricks Youth Ensemble of Atlanta Sharrell D. Luckett
Chapter 15: The Conciliation Project as a Social Experiment: Behind the Mask of Uncle Tomism and the Performance of Blackness Jasmine Coles & Tawnya Pettiford-Wates
Chapter 6: Race and History on the Operatic Stage: Caterina Jarboro Sings Aida Lucy Caplan
Music & Visual Art as Activism Chapter 7: “I Am Basquiat”: Tracing Jean-Michel Basquiat's Alterity and Activism in Paint and Performance Genevieve Hyacinthe
Chapter 8: “I Luh God”: Erica Campbell, Trap Gospel and the Moral Mask of Language Discrimination Sammantha McCalla
Chapter 9: The Hidden Code of the Kongo Cosmogram in African American Art and Culture Nettrice R. Gaskins
Chapter 10: From Baldwin to Beyoncé: Exploring the Responsibility of the Artist in Society--- Re-envisioning the Black Female Sonic Artist as Citizen Abby Dobson
Chapter 11: Slaying “Formation”: A Queering of Black Radical Tradition J. Michael Kinsey
Institutions of Activism Chapter 12: Centering Blackness Through Performance in Every 28 Hours Shondrika Moss-Bouldin
Chapter 13: Dancing for Justice Philadelphia: Embodiment, Dance, and Social Change Julie B. Johnson
Chapter 14: A Conversation with Freddie Hendricks of the Freddie Hendricks Youth Ensemble of Atlanta Sharrell D. Luckett
Chapter 15: The Conciliation Project as a Social Experiment: Behind the Mask of Uncle Tomism and the Performance of Blackness Jasmine Coles & Tawnya Pettiford-Wates
Afterword: Blackballin' A play by Rickerby Hinds
Acknowledgments Index About the Contributors
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