African American Literature in Transition, 1960-1970: Volume 13
Black Art, Politics, and Aesthetics
Herausgeber: Eversley, Shelly
African American Literature in Transition, 1960-1970: Volume 13
Black Art, Politics, and Aesthetics
Herausgeber: Eversley, Shelly
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Interrogates and explains 1960s writers and artists popular embrace of blackness as a source of power, as it confronts racism.
Andere Kunden interessierten sich auch für
- American Literature in Transition, 1950-1960148,99 €
- British Literature in Transition, 1960-1980: Flower Power148,99 €
- African American Literature in Transition, 1830-1850: Volume 3138,99 €
- American Literature in Transition, 1910-1920148,99 €
- American Literature in Transition, 1940-1950148,99 €
- American Literature in Transition, 1980-1990148,99 €
- Asian American Literature in Transition, 1996-2020: Volume 4134,99 €
-
-
-
Interrogates and explains 1960s writers and artists popular embrace of blackness as a source of power, as it confronts racism.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 350
- Erscheinungstermin: 24. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 608g
- ISBN-13: 9781108422932
- ISBN-10: 1108422934
- Artikelnr.: 62952438
- Verlag: Cambridge University Press
- Seitenzahl: 350
- Erscheinungstermin: 24. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 608g
- ISBN-13: 9781108422932
- ISBN-10: 1108422934
- Artikelnr.: 62952438
Introduction: Black art in transition Shelly Eversley; Part I. Poetry and
Music: 1. The society of umbra and the coming of the Black aesthetic Keith
D. Leonard; 2. Robert Hayden, the Black arts movement, and the politics of
aesthetic distance in the 1960s Derik Smith; 3. Sonia Sanchez through the
lens of Afro-Latinidad Patricia Herrera; 4. Reconsidering 'the revolution
in music' Eric Porter; Part II. Culture, and Politics: 5. The rights of
Black love Dagmawi Woubshet; 6. Albert Murray beyond plight and blight Paul
C. Taylor; 7. Espionage and the paths of Black radicalism GerShun Avilez;
8. The necessary violence of Frantz Fanon and Malcolm X in global Black
revolution Kelly M. Nims; Part III. Beyond the Canon: 9. Meanwhile, back on
the home front Phillip Brian Harper; 10. Between the March and Moynihan:
reexamining Black female silence and subjectivity in 'Nothing but a man'
Aneeka A. Henderson; 11. Radio Free Dixie, Black arts radio, and African
American women's activism Cheryl Higashida.
Music: 1. The society of umbra and the coming of the Black aesthetic Keith
D. Leonard; 2. Robert Hayden, the Black arts movement, and the politics of
aesthetic distance in the 1960s Derik Smith; 3. Sonia Sanchez through the
lens of Afro-Latinidad Patricia Herrera; 4. Reconsidering 'the revolution
in music' Eric Porter; Part II. Culture, and Politics: 5. The rights of
Black love Dagmawi Woubshet; 6. Albert Murray beyond plight and blight Paul
C. Taylor; 7. Espionage and the paths of Black radicalism GerShun Avilez;
8. The necessary violence of Frantz Fanon and Malcolm X in global Black
revolution Kelly M. Nims; Part III. Beyond the Canon: 9. Meanwhile, back on
the home front Phillip Brian Harper; 10. Between the March and Moynihan:
reexamining Black female silence and subjectivity in 'Nothing but a man'
Aneeka A. Henderson; 11. Radio Free Dixie, Black arts radio, and African
American women's activism Cheryl Higashida.
Introduction: Black art in transition Shelly Eversley; Part I. Poetry and
Music: 1. The society of umbra and the coming of the Black aesthetic Keith
D. Leonard; 2. Robert Hayden, the Black arts movement, and the politics of
aesthetic distance in the 1960s Derik Smith; 3. Sonia Sanchez through the
lens of Afro-Latinidad Patricia Herrera; 4. Reconsidering 'the revolution
in music' Eric Porter; Part II. Culture, and Politics: 5. The rights of
Black love Dagmawi Woubshet; 6. Albert Murray beyond plight and blight Paul
C. Taylor; 7. Espionage and the paths of Black radicalism GerShun Avilez;
8. The necessary violence of Frantz Fanon and Malcolm X in global Black
revolution Kelly M. Nims; Part III. Beyond the Canon: 9. Meanwhile, back on
the home front Phillip Brian Harper; 10. Between the March and Moynihan:
reexamining Black female silence and subjectivity in 'Nothing but a man'
Aneeka A. Henderson; 11. Radio Free Dixie, Black arts radio, and African
American women's activism Cheryl Higashida.
Music: 1. The society of umbra and the coming of the Black aesthetic Keith
D. Leonard; 2. Robert Hayden, the Black arts movement, and the politics of
aesthetic distance in the 1960s Derik Smith; 3. Sonia Sanchez through the
lens of Afro-Latinidad Patricia Herrera; 4. Reconsidering 'the revolution
in music' Eric Porter; Part II. Culture, and Politics: 5. The rights of
Black love Dagmawi Woubshet; 6. Albert Murray beyond plight and blight Paul
C. Taylor; 7. Espionage and the paths of Black radicalism GerShun Avilez;
8. The necessary violence of Frantz Fanon and Malcolm X in global Black
revolution Kelly M. Nims; Part III. Beyond the Canon: 9. Meanwhile, back on
the home front Phillip Brian Harper; 10. Between the March and Moynihan:
reexamining Black female silence and subjectivity in 'Nothing but a man'
Aneeka A. Henderson; 11. Radio Free Dixie, Black arts radio, and African
American women's activism Cheryl Higashida.