Sidney Littlefield Kasfir is Professor Emerita of Art History at Emory University. She is author of African Art and the Colonial Encounter (IUP, 2007). Till F¿rster is Professor of Social Anthropology at the University of Basel.
Sidney Littlefield Kasfir is Professor Emerita of Art History at Emory University. She is author of African Art and the Colonial Encounter (IUP, 2007). Till F¿rster is Professor of Social Anthropology at the University of Basel.
edited by Sidney Littlefield Kasfir, Till Förster, with contributions by Nicolas Argenti, Jessica Gershultz, Norma Wolff, Christine Scherer, Silvia Forni, Elizabeth Morton, Alexander Bortolot, Brenda Schmahmann, Chika Okeke-Agulu
Inhaltsangabe
Acknowledgments Introduction: Rethinking the Workshop \ Till Förster and Sidney Littlefield Kasfir The Contributions to This Book \ Sidney Littlefield Kasfir and Till Förster Part 1. Production, Education, and Learning 1. Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in Africa \ Elizabeth Morton 2. Follow the Wood: Carving and Political Cosmology in Oku, Cameroon \ Nicolas Argenti 3. Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as a Multisited Pottery Workshop \ Silvia Forni 4. An Artist's Notes on the Triangle Workshops, Zambia and South Africa \ Namubiru Rose Kirumira and Sidney Littlefield Kasfir Part 2. Audience and Encounters 5. Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula Needlework, Zimbabwe and South Africa \ Brenda Schmahmann 6. Rethinking Mbari Mbayo: Osogbo Workshops in the 1960s, Nigeria \ Chika Okeke-Agulu 7. Working on the Small Difference: Notes on the Making of Sculpture in Tengenenge, Zimbabwe \ Christine Scherer 8. Navigating Nairobi: Artists in a Workshop System, Kenya \ Jessica Gerschultz Part 3. Patronage and Domination 9. Lewanika's Workshop and the Vision of Lozi Arts, Zambia \ Karen E. Milbourne 10. Artesaos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives, and the Art of Socialist Revolution in Postcolonial Mozambique \ Alexander Bortolot 11. Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian Workshop School Setting, Zimbabwe \ Elizabeth Morton 12. "A Matter of Must": Continuities and Change in the Adugbologe Woodcarving Workshop in Abeokuta, Nigeria \ Norma H. Wolff Part 4. Comparative Aspects 13. Work and Workshop: The Iteration of Style and Genre in Two Workshop Settings, Côte d'Ivoire and Cameroon \ Till Förster 14. Apprentices and Entrepreneurs: The Workshop and Style Uniformity in Sub-Saharan Africa \ Sidney Littlefield Kasfir Coda: Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop Changes, 1987-2007 \ Sidney Littlefield Kasfir Contributors Index
Acknowledgments Introduction: Rethinking the Workshop \ Till Förster and Sidney Littlefield Kasfir The Contributions to This Book \ Sidney Littlefield Kasfir and Till Förster Part 1. Production, Education, and Learning 1. Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in Africa \ Elizabeth Morton 2. Follow the Wood: Carving and Political Cosmology in Oku, Cameroon \ Nicolas Argenti 3. Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as a Multisited Pottery Workshop \ Silvia Forni 4. An Artist's Notes on the Triangle Workshops, Zambia and South Africa \ Namubiru Rose Kirumira and Sidney Littlefield Kasfir Part 2. Audience and Encounters 5. Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula Needlework, Zimbabwe and South Africa \ Brenda Schmahmann 6. Rethinking Mbari Mbayo: Osogbo Workshops in the 1960s, Nigeria \ Chika Okeke-Agulu 7. Working on the Small Difference: Notes on the Making of Sculpture in Tengenenge, Zimbabwe \ Christine Scherer 8. Navigating Nairobi: Artists in a Workshop System, Kenya \ Jessica Gerschultz Part 3. Patronage and Domination 9. Lewanika's Workshop and the Vision of Lozi Arts, Zambia \ Karen E. Milbourne 10. Artesaos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives, and the Art of Socialist Revolution in Postcolonial Mozambique \ Alexander Bortolot 11. Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian Workshop School Setting, Zimbabwe \ Elizabeth Morton 12. "A Matter of Must": Continuities and Change in the Adugbologe Woodcarving Workshop in Abeokuta, Nigeria \ Norma H. Wolff Part 4. Comparative Aspects 13. Work and Workshop: The Iteration of Style and Genre in Two Workshop Settings, Côte d'Ivoire and Cameroon \ Till Förster 14. Apprentices and Entrepreneurs: The Workshop and Style Uniformity in Sub-Saharan Africa \ Sidney Littlefield Kasfir Coda: Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop Changes, 1987-2007 \ Sidney Littlefield Kasfir Contributors Index
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