African Art and Agency in the Workshop
Herausgeber: Kasfir, Sidney Littlefield; Förster, Till
African Art and Agency in the Workshop
Herausgeber: Kasfir, Sidney Littlefield; Förster, Till
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Sidney Littlefield Kasfir is Professor Emerita of Art History at Emory University. She is author of African Art and the Colonial Encounter (IUP, 2007). Till F¿rster is Professor of Social Anthropology at the University of Basel.
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Sidney Littlefield Kasfir is Professor Emerita of Art History at Emory University. She is author of African Art and the Colonial Encounter (IUP, 2007). Till F¿rster is Professor of Social Anthropology at the University of Basel.
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Produktdetails
- Produktdetails
- Verlag: Indiana University Press
- Seitenzahl: 424
- Erscheinungstermin: 1. April 2013
- Englisch
- Abmessung: 228mm x 151mm x 30mm
- Gewicht: 588g
- ISBN-13: 9780253007490
- ISBN-10: 0253007496
- Artikelnr.: 36540677
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Indiana University Press
- Seitenzahl: 424
- Erscheinungstermin: 1. April 2013
- Englisch
- Abmessung: 228mm x 151mm x 30mm
- Gewicht: 588g
- ISBN-13: 9780253007490
- ISBN-10: 0253007496
- Artikelnr.: 36540677
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Sidney Littlefield Kasfir is Professor Emerita of Art History at Emory University. She is author of African Art and the Colonial Encounter (IUP, 2007). Till Förster is Professor of Social Anthropology at the University of Basel.
Acknowledgments
Introduction: Rethinking the Workshop \ Till Förster and Sidney Littlefield
Kasfir
The Contributions to This Book \ Sidney Littlefield Kasfir and Till Förster
Part 1. Production, Education, and Learning
1. Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in
Africa \ Elizabeth Morton
2. Follow the Wood: Carving and Political Cosmology in Oku, Cameroon \
Nicolas Argenti
3. Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as
a Multisited Pottery Workshop \ Silvia Forni
4. An Artist's Notes on the Triangle Workshops, Zambia and South Africa \
Namubiru Rose Kirumira and Sidney Littlefield Kasfir
Part 2. Audience and Encounters
5. Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula
Needlework, Zimbabwe and South Africa \ Brenda Schmahmann
6. Rethinking Mbari Mbayo: Osogbo Workshops in the 1960s, Nigeria \ Chika
Okeke-Agulu
7. Working on the Small Difference: Notes on the Making of Sculpture in
Tengenenge, Zimbabwe \ Christine Scherer
8. Navigating Nairobi: Artists in a Workshop System, Kenya \ Jessica
Gerschultz
Part 3. Patronage and Domination
9. Lewanika's Workshop and the Vision of Lozi Arts, Zambia \ Karen E.
Milbourne
10. Artesaos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives,
and the Art of Socialist Revolution in Postcolonial Mozambique \ Alexander
Bortolot
11. Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian
Workshop School Setting, Zimbabwe \ Elizabeth Morton
12. "A Matter of Must": Continuities and Change in the Adugbologe
Woodcarving Workshop in Abeokuta, Nigeria \ Norma H. Wolff
Part 4. Comparative Aspects
13. Work and Workshop: The Iteration of Style and Genre in Two Workshop
Settings, Côte d'Ivoire and Cameroon \ Till Förster
14. Apprentices and Entrepreneurs: The Workshop and Style Uniformity in
Sub-Saharan Africa \ Sidney Littlefield Kasfir
Coda: Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop
Changes, 1987-2007 \ Sidney Littlefield Kasfir
Contributors
Index
Introduction: Rethinking the Workshop \ Till Förster and Sidney Littlefield
Kasfir
The Contributions to This Book \ Sidney Littlefield Kasfir and Till Förster
Part 1. Production, Education, and Learning
1. Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in
Africa \ Elizabeth Morton
2. Follow the Wood: Carving and Political Cosmology in Oku, Cameroon \
Nicolas Argenti
3. Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as
a Multisited Pottery Workshop \ Silvia Forni
4. An Artist's Notes on the Triangle Workshops, Zambia and South Africa \
Namubiru Rose Kirumira and Sidney Littlefield Kasfir
Part 2. Audience and Encounters
5. Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula
Needlework, Zimbabwe and South Africa \ Brenda Schmahmann
6. Rethinking Mbari Mbayo: Osogbo Workshops in the 1960s, Nigeria \ Chika
Okeke-Agulu
7. Working on the Small Difference: Notes on the Making of Sculpture in
Tengenenge, Zimbabwe \ Christine Scherer
8. Navigating Nairobi: Artists in a Workshop System, Kenya \ Jessica
Gerschultz
Part 3. Patronage and Domination
9. Lewanika's Workshop and the Vision of Lozi Arts, Zambia \ Karen E.
Milbourne
10. Artesaos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives,
and the Art of Socialist Revolution in Postcolonial Mozambique \ Alexander
Bortolot
11. Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian
Workshop School Setting, Zimbabwe \ Elizabeth Morton
12. "A Matter of Must": Continuities and Change in the Adugbologe
Woodcarving Workshop in Abeokuta, Nigeria \ Norma H. Wolff
Part 4. Comparative Aspects
13. Work and Workshop: The Iteration of Style and Genre in Two Workshop
Settings, Côte d'Ivoire and Cameroon \ Till Förster
14. Apprentices and Entrepreneurs: The Workshop and Style Uniformity in
Sub-Saharan Africa \ Sidney Littlefield Kasfir
Coda: Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop
Changes, 1987-2007 \ Sidney Littlefield Kasfir
Contributors
Index
Acknowledgments
Introduction: Rethinking the Workshop \ Till Förster and Sidney Littlefield
Kasfir
The Contributions to This Book \ Sidney Littlefield Kasfir and Till Förster
Part 1. Production, Education, and Learning
1. Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in
Africa \ Elizabeth Morton
2. Follow the Wood: Carving and Political Cosmology in Oku, Cameroon \
Nicolas Argenti
3. Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as
a Multisited Pottery Workshop \ Silvia Forni
4. An Artist's Notes on the Triangle Workshops, Zambia and South Africa \
Namubiru Rose Kirumira and Sidney Littlefield Kasfir
Part 2. Audience and Encounters
5. Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula
Needlework, Zimbabwe and South Africa \ Brenda Schmahmann
6. Rethinking Mbari Mbayo: Osogbo Workshops in the 1960s, Nigeria \ Chika
Okeke-Agulu
7. Working on the Small Difference: Notes on the Making of Sculpture in
Tengenenge, Zimbabwe \ Christine Scherer
8. Navigating Nairobi: Artists in a Workshop System, Kenya \ Jessica
Gerschultz
Part 3. Patronage and Domination
9. Lewanika's Workshop and the Vision of Lozi Arts, Zambia \ Karen E.
Milbourne
10. Artesaos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives,
and the Art of Socialist Revolution in Postcolonial Mozambique \ Alexander
Bortolot
11. Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian
Workshop School Setting, Zimbabwe \ Elizabeth Morton
12. "A Matter of Must": Continuities and Change in the Adugbologe
Woodcarving Workshop in Abeokuta, Nigeria \ Norma H. Wolff
Part 4. Comparative Aspects
13. Work and Workshop: The Iteration of Style and Genre in Two Workshop
Settings, Côte d'Ivoire and Cameroon \ Till Förster
14. Apprentices and Entrepreneurs: The Workshop and Style Uniformity in
Sub-Saharan Africa \ Sidney Littlefield Kasfir
Coda: Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop
Changes, 1987-2007 \ Sidney Littlefield Kasfir
Contributors
Index
Introduction: Rethinking the Workshop \ Till Förster and Sidney Littlefield
Kasfir
The Contributions to This Book \ Sidney Littlefield Kasfir and Till Förster
Part 1. Production, Education, and Learning
1. Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in
Africa \ Elizabeth Morton
2. Follow the Wood: Carving and Political Cosmology in Oku, Cameroon \
Nicolas Argenti
3. Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as
a Multisited Pottery Workshop \ Silvia Forni
4. An Artist's Notes on the Triangle Workshops, Zambia and South Africa \
Namubiru Rose Kirumira and Sidney Littlefield Kasfir
Part 2. Audience and Encounters
5. Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula
Needlework, Zimbabwe and South Africa \ Brenda Schmahmann
6. Rethinking Mbari Mbayo: Osogbo Workshops in the 1960s, Nigeria \ Chika
Okeke-Agulu
7. Working on the Small Difference: Notes on the Making of Sculpture in
Tengenenge, Zimbabwe \ Christine Scherer
8. Navigating Nairobi: Artists in a Workshop System, Kenya \ Jessica
Gerschultz
Part 3. Patronage and Domination
9. Lewanika's Workshop and the Vision of Lozi Arts, Zambia \ Karen E.
Milbourne
10. Artesaos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives,
and the Art of Socialist Revolution in Postcolonial Mozambique \ Alexander
Bortolot
11. Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian
Workshop School Setting, Zimbabwe \ Elizabeth Morton
12. "A Matter of Must": Continuities and Change in the Adugbologe
Woodcarving Workshop in Abeokuta, Nigeria \ Norma H. Wolff
Part 4. Comparative Aspects
13. Work and Workshop: The Iteration of Style and Genre in Two Workshop
Settings, Côte d'Ivoire and Cameroon \ Till Förster
14. Apprentices and Entrepreneurs: The Workshop and Style Uniformity in
Sub-Saharan Africa \ Sidney Littlefield Kasfir
Coda: Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop
Changes, 1987-2007 \ Sidney Littlefield Kasfir
Contributors
Index