An essential guide to building new exchanges and connections in the dynamic worlds of African and global art. Read to explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa.
An essential guide to building new exchanges and connections in the dynamic worlds of African and global art. Read to explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bennetta Jules-Rosette is Distinguished Professor of Sociology and director of the African and African-American Studies Research Center at the University of California, San Diego. Her books include Josephine Baker in Art and Life: The Icon and Image, Black Paris: The African Writers' Landscape, and The Messages of Tourist Art. J.R. Osborn is an associate professor of communication, culture, and technology at Georgetown University. He is the author of Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design.
Inhaltsangabe
List of Illustrations Foreword by Simon Njami Preface and Acknowledgments Introduction: Reframing African Art PART I: ENTERING MUSEUMS AT THE THRESHOLD CHAPTER 1. Lost and Found: Postcolonial Reflections on Colonial Museums CHAPTER 2. Revisiting the Storeroom: Collections and Cultural Surplus CHAPTER 3. Reaching Out: Museums, Audiences, and the Public Sphere PART II: DIALOGUES ON MUSEUM PRACTICES AND ART WORLDS CHAPTER 4. Museums Speak Out: Curators' Dialogues CHAPTER 5. Agitating African Art: Artists' Voices and Audience Responses PART III: UNMIXING AFRICAN ART AND REMIXING THE RESULTS CHAPTER 6. The Theory and Method of Unmixing CHAPTER 7. Remixing the Results and Looking Ahead CHAPTER 8. Personal Journeys and Reflections on African Art Chronology Notes Bibliography Index
List of Illustrations Foreword by Simon Njami Preface and Acknowledgments Introduction: Reframing African Art PART I: ENTERING MUSEUMS AT THE THRESHOLD CHAPTER 1. Lost and Found: Postcolonial Reflections on Colonial Museums CHAPTER 2. Revisiting the Storeroom: Collections and Cultural Surplus CHAPTER 3. Reaching Out: Museums, Audiences, and the Public Sphere PART II: DIALOGUES ON MUSEUM PRACTICES AND ART WORLDS CHAPTER 4. Museums Speak Out: Curators' Dialogues CHAPTER 5. Agitating African Art: Artists' Voices and Audience Responses PART III: UNMIXING AFRICAN ART AND REMIXING THE RESULTS CHAPTER 6. The Theory and Method of Unmixing CHAPTER 7. Remixing the Results and Looking Ahead CHAPTER 8. Personal Journeys and Reflections on African Art Chronology Notes Bibliography Index
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