This book traces the developments in African films that were made from the 1990s to the present within the evolving frame of what came to be called â World Cinemaâ and, eventually, â Global Cinema.â
This book traces the developments in African films that were made from the 1990s to the present within the evolving frame of what came to be called â World Cinemaâ and, eventually, â Global Cinema.âHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kenneth W. Harrow is Emeritus Distinguished Professor of English at Michigan State University. His work focuses on African cinema and literature. He is the author of Thresholds of Change in African Literature (1993), Less Than One and Double: A Feminist Reading of African Women's Writing (2001), Postcolonial African Cinema: From Political Engagement to Postmodernism (2007), Trash! A Study of African Cinema Viewed from Below (2013), and Space and Time in African Cinema and Cine-scapes (2022). He also co-edited, with Carmela Garritano, A Companion to African Film (2018).
Inhaltsangabe
Introduction: African Cinema in a Global Age Part One: The Long 1990s 1. What the 1980s Brought 2. Kenneth Nnuebe Living in Bondage (1992) and the Onset of Nollywood 3. Claire Denis Chocolat (1988) Auteurism and African Cinema Part Two: The Problematics of Modernity in African Cinema at the Millenium 4. Modernity in the Work of Tunde Kelani: Ti Oluwa Ni Ile (1993) and Thunderbolt: Magun (2001) 5. Modernity Dominique Loreau and Les Noms n'habitent nulle part (1994) 6. Two Films of Sotigui Kouyate a Modern Griot: A. Mahamat-Saleh Haroun Sotigui Kouyaté (1995); Rachid Bouchareb Little Senegal (2000) 7. Framing Modernity Abroad: Anyaene Ije (2010) and Andrew Dosunmu Mother of George 2013 Part Three: African Cinema in an Age of Globalism Prologue: Time and the End: Cheah's Normativity and Teleological Time 8. Alain Gomis Tey (2012): Being Toward Death 9. Two Films about Women Witches: Rugano Nyoni I Am Not a Witch (2017); Maia Lekow Christopher King The Letter (2019) 10. The Resistance of the Old Woman: Lemohang Jeremiah Mosese This Is Not a Burial It's a Resurrection (2019) Conclusion: An Opera of This World (2017) Manthia Diawara: The Encounter with the Other Face-to-Face
Introduction: African Cinema in a Global Age Part One: The Long 1990s 1. What the 1980s Brought 2. Kenneth Nnuebe Living in Bondage (1992) and the Onset of Nollywood 3. Claire Denis Chocolat (1988) Auteurism and African Cinema Part Two: The Problematics of Modernity in African Cinema at the Millenium 4. Modernity in the Work of Tunde Kelani: Ti Oluwa Ni Ile (1993) and Thunderbolt: Magun (2001) 5. Modernity Dominique Loreau and Les Noms n'habitent nulle part (1994) 6. Two Films of Sotigui Kouyate a Modern Griot: A. Mahamat-Saleh Haroun Sotigui Kouyaté (1995); Rachid Bouchareb Little Senegal (2000) 7. Framing Modernity Abroad: Anyaene Ije (2010) and Andrew Dosunmu Mother of George 2013 Part Three: African Cinema in an Age of Globalism Prologue: Time and the End: Cheah's Normativity and Teleological Time 8. Alain Gomis Tey (2012): Being Toward Death 9. Two Films about Women Witches: Rugano Nyoni I Am Not a Witch (2017); Maia Lekow Christopher King The Letter (2019) 10. The Resistance of the Old Woman: Lemohang Jeremiah Mosese This Is Not a Burial It's a Resurrection (2019) Conclusion: An Opera of This World (2017) Manthia Diawara: The Encounter with the Other Face-to-Face
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