African Diaspora in the Cultures of Latin America, the Caribbean, and the United States upholds the transcendent interconnectedness of histories, stories, and cultural and disciplinary expression, and the centrality of the Middle Passage in connecting Harlem and Brooklyn to Havana, Kingston, and Rio de Janeiro.
African Diaspora in the Cultures of Latin America, the Caribbean, and the United States upholds the transcendent interconnectedness of histories, stories, and cultural and disciplinary expression, and the centrality of the Middle Passage in connecting Harlem and Brooklyn to Havana, Kingston, and Rio de Janeiro.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Persephone Braham is associate professor of Spanish and Latin American studies at the University of Delaware.
Inhaltsangabe
Contents List of Illustrations Acknowledgments Introduction I. THE MIDDLE PASSAGE AND THE AFRICAN AMERICAS PROJECT Persephone Braham 1. Keith Morrison: Middle Passage Julie L. McGee II. SLAVERY, MIGRATION, AND RACIAL IDENTITY 2. The African Diaspora in the Americas: The Caribbean Dimension Franklin W. Knight 3. Afro-Antillean Presence in the Latin American Melting Pot Carla Guerrón Montero 4. Puerto Ricans in the Harlem Riot of 1935 Lorrin Thomas 5. Rethinking "Racial Democracy": Perspectives from Black Thinkers in Twentieth-Century Brazil Paulina L. Alberto III. AFRICA IN THE ARTS: MIGRATION, IMPROVISATION, EXCHANGE 6. Pearl Fishing in the Caribbean: Early Images of Slavery and Forced Migration in the Americas Mónica Domínguez-Torres 7. Improvisation in the Danzón and its Ties to Early New Orleans Jazz Robin Moore 8. Afrochic: Africa in the Modernist Imagination Camara Dia Holloway 9. True Blood: Colorblindness, Blanqueamiento, and Vampire Ethnicity in Castro's Cuba Phillip Penix-Tadsen 10. Introspection and Projection in Cuban Art Colette Gaiter 11. Hearing Reggaeton's African-American Address Wayne Marshall 12. Black-British and Other African Diaspora Artists Visualizing Slavery Eddie Chambers IV. BLACK AMERICAN STUDIES IN THE GLOBAL HUMANITIES 13. Race and Representation in the Digital Humanities: An Inter-American Case Study Ifeoma Nwankwo 14. Black American Studies at the University of Delaware: Education Across the Lines Carol Henderson Contributors
Contents List of Illustrations Acknowledgments Introduction I. THE MIDDLE PASSAGE AND THE AFRICAN AMERICAS PROJECT Persephone Braham 1. Keith Morrison: Middle Passage Julie L. McGee II. SLAVERY, MIGRATION, AND RACIAL IDENTITY 2. The African Diaspora in the Americas: The Caribbean Dimension Franklin W. Knight 3. Afro-Antillean Presence in the Latin American Melting Pot Carla Guerrón Montero 4. Puerto Ricans in the Harlem Riot of 1935 Lorrin Thomas 5. Rethinking "Racial Democracy": Perspectives from Black Thinkers in Twentieth-Century Brazil Paulina L. Alberto III. AFRICA IN THE ARTS: MIGRATION, IMPROVISATION, EXCHANGE 6. Pearl Fishing in the Caribbean: Early Images of Slavery and Forced Migration in the Americas Mónica Domínguez-Torres 7. Improvisation in the Danzón and its Ties to Early New Orleans Jazz Robin Moore 8. Afrochic: Africa in the Modernist Imagination Camara Dia Holloway 9. True Blood: Colorblindness, Blanqueamiento, and Vampire Ethnicity in Castro's Cuba Phillip Penix-Tadsen 10. Introspection and Projection in Cuban Art Colette Gaiter 11. Hearing Reggaeton's African-American Address Wayne Marshall 12. Black-British and Other African Diaspora Artists Visualizing Slavery Eddie Chambers IV. BLACK AMERICAN STUDIES IN THE GLOBAL HUMANITIES 13. Race and Representation in the Digital Humanities: An Inter-American Case Study Ifeoma Nwankwo 14. Black American Studies at the University of Delaware: Education Across the Lines Carol Henderson Contributors
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