Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture, showing how African visual media such as film, photography, and sculpture deliver a unique perspective on the socio-ecological costs of media production.
Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture, showing how African visual media such as film, photography, and sculpture deliver a unique perspective on the socio-ecological costs of media production.
List of Illustrations ix Acknowledgments xi Introduction 1 1. Waste Reconsidered: Afrofuturism, Technologies of the Past, and the History of the Future 25 2. Spatial Networks, Toxic Ecoscapes, and (In)visible Labor 64 3. Ecologies of Oil and Uranium: Extractive Energy and the Trauma of the Future 108 4. Human Meets Animal, Africa Meets Diaspora: The Conjunctions of Cecil the Lion and Black Lives Matter 152 5. African Urban Ecologies: Transcriptions of Precarity, Creativity, and Futurity 186 Epilogue. Toward Imperfect Media 221 Notes 231 Bibliography 273 Index 305
List of Illustrations ix Acknowledgments xi Introduction 1 1. Waste Reconsidered: Afrofuturism, Technologies of the Past, and the History of the Future 25 2. Spatial Networks, Toxic Ecoscapes, and (In)visible Labor 64 3. Ecologies of Oil and Uranium: Extractive Energy and the Trauma of the Future 108 4. Human Meets Animal, Africa Meets Diaspora: The Conjunctions of Cecil the Lion and Black Lives Matter 152 5. African Urban Ecologies: Transcriptions of Precarity, Creativity, and Futurity 186 Epilogue. Toward Imperfect Media 221 Notes 231 Bibliography 273 Index 305
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