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From a forest of controversies and opinions by African and non-African critics and writers, Bishop has been able to elicit strong paradigms of critical and theoretical evaluation of African literature by Africans themselves, and therein lies the abiding merit of this book. Modern Fiction Studies The years immediately following World War II saw an extraordinary literary development in Black sub-Saharan Africa--the emergence of a virtually new literature. This phenomenon became the center of critical controversy as writers, commentators, and scholars attempted to forge a set of aesthetic…mehr

Produktbeschreibung
From a forest of controversies and opinions by African and non-African critics and writers, Bishop has been able to elicit strong paradigms of critical and theoretical evaluation of African literature by Africans themselves, and therein lies the abiding merit of this book. Modern Fiction Studies The years immediately following World War II saw an extraordinary literary development in Black sub-Saharan Africa--the emergence of a virtually new literature. This phenomenon became the center of critical controversy as writers, commentators, and scholars attempted to forge a set of aesthetic standards for this new literature. Although the European contribution to this discussion is will known, the views of African critics, who have been writing voluminously on the subject since the 1940s, have been given far less attention. In this study, Bishop provides the first systematic examination of how Africans themselves have evaluated African literature in English and French from the early postwar years to the opening of the first World Festival of Negro Arts in 1966.
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Autorenporträt
Rand Bishop enjoyed a 45-year music-business career as a major-label recording artist, touring musician, hit songwriter, platinum record producer, talent development executive, and music publisher. He garnered a Grammy nomination, several BMI Awards and more than 300 songwriting credits with artists as diverse as the Beach Boys, Heart, Toby Keith, Tim McGraw, Indigo Girls, Cheap Trick, and Sheryl Lee Ralph. Bishop has authored six books, award-winning and optioned screenplays, a stage play, numerous essays and, for six years, contributed a bi-monthly column to American Songwriter Magazine. Medium lists Bishop as a Top LGBTQ writer on its platform. Long Way Out is Bishop's second novel. He resides in Newport, Oregon, where he acts as music director for the Oregon Coast Unitarian Universalist Fellowship.