Afro-Caribbean Women's Writing and Early American Literature is both pedagogical and critical. The text begins by re-evaluating the poetry of Wheatley for its political commentary, demonstrates how Hurston bridges several literary genres and geographies, and introduces Black women writers of the Caribbean to some American audiences.
Afro-Caribbean Women's Writing and Early American Literature is both pedagogical and critical. The text begins by re-evaluating the poetry of Wheatley for its political commentary, demonstrates how Hurston bridges several literary genres and geographies, and introduces Black women writers of the Caribbean to some American audiences.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
LaToya Jefferson-James is assistant professor of composition and world literature at Mississippi Valley State University.
Inhaltsangabe
Preface: The Work of Black Women Writing Communities Acknowledgments Introduction: The Continued Relevance of Nineteenth-Century Black Women Writers LaToya Jefferson-James Chapter One: Doing the Work of 'Nobler Womanhood:' Ida B. Wells-Barnett, N.F. Mossell, and Victoria Earle Matthews LaToya Jefferson-James Chapter Two: Yours for Humanity: An Examination of the Life and Work of Pauline Elizabeth Hopkins (1856-1930) Verner Mitchell Chapter Three: Plagiarizing Blackness: Racial Performances and Passing in Frances E. W. Harper's Iola Leroy, or Shadows Uplifted Tajanae Barnes Chapter Four: New Nation, New Migration and New Negro: A Reading of Aftermath, Rachel, and Environment Shubhanku Kochar Chapter Five: When Madness Makes Sense in Early Black Women's Drama Regis Fox Chapter Six: Zora Neale Hurston's Dust Tracks on a Road as Literacy Narrative LaToya Jefferson-James Chapter Seven: Karen Lord: Situating the Caribbean Female Space Jacinth Howard Chapter Eight: A Retrospective on the Literary Influence of Merle Hodge's Crick Crack, Monkey Alison D. Ligon Chapter Nine: A Laying on of Hands: Healing the Diasporic Body in Colonized Spaces in Jamaica Kincaid's Annie John Joyce White Chapter Ten: Authorizing Discourse: Black Feminist Theorizing in Michelle Cliff's Claiming an Identity They Taught Me to Despise Alexandria Smith Chapter Eleven: So Eager to Bloom: Reframing Images of Adolescent Protagonists in Edwidge Danticat's Behind the Mountains and Untwine Alison D. Ligon Conclusion: Beginning at the Beginning: Teaching Morrison through Stewart and Hurston through Marson and Conde About the Contributors
Preface: The Work of Black Women Writing Communities Acknowledgments Introduction: The Continued Relevance of Nineteenth-Century Black Women Writers LaToya Jefferson-James Chapter One: Doing the Work of 'Nobler Womanhood:' Ida B. Wells-Barnett, N.F. Mossell, and Victoria Earle Matthews LaToya Jefferson-James Chapter Two: Yours for Humanity: An Examination of the Life and Work of Pauline Elizabeth Hopkins (1856-1930) Verner Mitchell Chapter Three: Plagiarizing Blackness: Racial Performances and Passing in Frances E. W. Harper's Iola Leroy, or Shadows Uplifted Tajanae Barnes Chapter Four: New Nation, New Migration and New Negro: A Reading of Aftermath, Rachel, and Environment Shubhanku Kochar Chapter Five: When Madness Makes Sense in Early Black Women's Drama Regis Fox Chapter Six: Zora Neale Hurston's Dust Tracks on a Road as Literacy Narrative LaToya Jefferson-James Chapter Seven: Karen Lord: Situating the Caribbean Female Space Jacinth Howard Chapter Eight: A Retrospective on the Literary Influence of Merle Hodge's Crick Crack, Monkey Alison D. Ligon Chapter Nine: A Laying on of Hands: Healing the Diasporic Body in Colonized Spaces in Jamaica Kincaid's Annie John Joyce White Chapter Ten: Authorizing Discourse: Black Feminist Theorizing in Michelle Cliff's Claiming an Identity They Taught Me to Despise Alexandria Smith Chapter Eleven: So Eager to Bloom: Reframing Images of Adolescent Protagonists in Edwidge Danticat's Behind the Mountains and Untwine Alison D. Ligon Conclusion: Beginning at the Beginning: Teaching Morrison through Stewart and Hurston through Marson and Conde About the Contributors
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