Afro-Cuban identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959.
Afro-Cuban identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrea Easley Morris is assistant professor of Spanish at Louisiana State University and specializes in Hispanic Caribbean literature and culture. Her research to date deals with issues of cultural identity in relation to music and dance, space, and embodiment. Dr. Morris enjoys teaching service-learning courses on Latin American and Latino cultures that engage students in the local immigrant community.
Inhaltsangabe
Acknowledgments Introduction Chapter 1 Contradictory Approaches to Race, from Independence to Revolution Part One: Representing Difference in Colonial and Republican Settings Chapter 2 Slave Rebellion and Cultural resistance Chapter 3 Performing the Mulata Rumbera Chapter 4 Fragmented Cubanness by Way of Détour Part Two: Post-Revolutionary Identities in Conflict Chapter 5 Black Masculinity in Crisis Chapter 6 Race, Place, and Marginality Conclusion Epilogue: The 1980s and Beyond Notes Bibliography Index
Acknowledgments Introduction Chapter 1 Contradictory Approaches to Race, from Independence to Revolution Part One: Representing Difference in Colonial and Republican Settings Chapter 2 Slave Rebellion and Cultural resistance Chapter 3 Performing the Mulata Rumbera Chapter 4 Fragmented Cubanness by Way of Détour Part Two: Post-Revolutionary Identities in Conflict Chapter 5 Black Masculinity in Crisis Chapter 6 Race, Place, and Marginality Conclusion Epilogue: The 1980s and Beyond Notes Bibliography Index
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