Profiles four generations of women from one Afro-Cuban religious family. From a plantation in Havana Province in the 1890s to a religious centre in Spanish Harlem in the 1960s, these women were connected by their prominent roles as leaders in the religions they practiced and the dramatic ritual artwork they created. Kristine Juncker argues that by creating art for more than one religion these women shatter the popular assumption that Afro- Caribbean religions are exclusive organisations.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.