In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, Holocaust experience, migration, exile and the encounter with political horror and atrocity. -- .
In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, Holocaust experience, migration, exile and the encounter with political horror and atrocity. -- .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. Author and editor of over 25 books and numerous articles on postcolonial, international feminist and cultural studies in the visual arts and film. With Catherine de Zegher, she co-edited Bracha L Ettinger: Art as Compassion (2011) and with Max Silverman Concentrationary Cinema: Aesthetics as Resistance in Alain Resnais's Night and Fog (2011) and Concentrationary Memories (2013). She is also editor of Visual Politics and Psychoanalysis: Art and the Image in Post-traumatic Culture (2013). Her forthcoming work includes a monograph on Charlotte Salomon's Life? Or Theatre? and Art in the Time-Space of Memory and Migration: Sigmund Freud, Anna Freud Bracha Ettinger in the Freud Museum
Inhaltsangabe
Preface Introduction: Trauma and artworking I Sounds of subjectivity 1. Gasping at violence: Daphne's open mouth and the trauma of gender 2. Seduction, mourning and invocation: The geometry of absence in work by Louise Bourgeois 3. Being and language: Anna Maria Maiolino's gestures of exile and connection II Memorial bodies 4. Traumatic encryption: The sculptural dissolutions of Alina Szapocznikow 5. Fictions of fact: Memory in transit in Vera Frenkel's video installation works III Passage through the object 6. Deadly objects and dangerous confessions: The tale of Sarah Kofman's father's pen 7. '... that, again!': Pathosformula as transport station of trauma in the cinematic journey of Chantal Akerman Bibliography Index
Preface Introduction: Trauma and artworking I Sounds of subjectivity 1. Gasping at violence: Daphne's open mouth and the trauma of gender 2. Seduction, mourning and invocation: The geometry of absence in work by Louise Bourgeois 3. Being and language: Anna Maria Maiolino's gestures of exile and connection II Memorial bodies 4. Traumatic encryption: The sculptural dissolutions of Alina Szapocznikow 5. Fictions of fact: Memory in transit in Vera Frenkel's video installation works III Passage through the object 6. Deadly objects and dangerous confessions: The tale of Sarah Kofman's father's pen 7. '... that, again!': Pathosformula as transport station of trauma in the cinematic journey of Chantal Akerman Bibliography Index
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