After Modernism

Women, Gender, Race
Herausgeber: Goulimari, Pelagia

• Gebundenes Buch

Produktbeschreibung

In "after modernism" the meanings of "after" include periodisation, homage and critique. This book attends to neglected genealogies and intertexts-"high" and "low"-yet offering unacknowledged ontological, epistemological, conceptual and figurative resources.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 258
• Erscheinungstermin: 31. März 2023
• Englisch
• Abmessung: 254mm x 178mm x 16mm
• Gewicht: 694g
• ISBN-13: 9781032443393
• ISBN-10: 1032443391
• Artikelnr.: 66718422

Autorenporträt

Pelagia Goulimari is Senior Research Fellow and Co-Director of the M.St. in Women's, Gender and Sexuality Studies and "Intersectional Humanities" at the University of Oxford, UK. Her books include Postmodernism: What Moment? ; Toni Morrison; Literary Criticism and Theory: From Plato to Postcolonialism; Women Writing Across Cultures; Love and Vulnerability; and The Oxford Encyclopedia of Literary Theory. She is the editor of Angelaki.

Inhaltsangabe

1. Introduction-After Modernism: Women, Gender, Race 2. The Afters and Now
of Modernism: Connecting Leanne Howe's Native Tribalography and the
Decolonizing Arts of Britain's Kabe Wilson and the Marshall Islands' Kathy
Jetn¿il-Kijiner 3. Rethinking the Liberian Predicament in Anti-Black Terms:
On Repatriation, Modernity, and the Ethno-Racial Choreographies of Civil
War 4. A Grammar of Modern Silence: Race, Gender, and Visible Invisibility
in Iola Leroy and Contending Forces 5. Indigenismo and the Limits of
Cultural Appropriation: Frida Kahlo and Marina Núñez del Prado 6. Gender
and Race in the Modernist Middlebrow: Louise Faure-Favier's Blanche et Noir
7. Restaging Respectability: The Subversive Performances of Josephine Baker
and Nora Holt in Jazz-Age Paris 8. Fashioning Modernism: Rose Piper's
Painting and Fabric Design 9. The "White Darkness": Considering Modernist
Investments in the "Primitive" through Maya Deren's Work in Haiti (1947-53)
10. Shredding, Burning, Tunnelling: Modernity, Mrs. Dalloway, Sula and My
Grandparents circa 1922 11. Doublings and Dissociation in Nella Larsen's
Passing and Helen Oyeyemi's Boy, Snow, Bird 12. Dream*Hoping into Futures:
Black Women in the Harlem Renaissance and Afrofuturism 13. The Black
Woman's Mask: Fanon, Capécia, Condé 14. "In the Centre of Our Circle":
Gender, Selfhood and Non-Linear Time in Yvonne Vera's Nehanda 15.
"Screaming in Delight": Qiu Miaojin's Queer Modernist Births in and for
Taiwan