Introduction Lutz Koepnick and Erin McGlothlin From the Image to the Image File and Back Boris Groys Digital Sampling and Analogue Montage Diedrich Diederichsen Remixability Lev Manovich New Media Aesthetics Carsten Strathausen Aura, Virtuality, and the Simulacrum Sabine Eckmann What Does It Mean to Read Online? On the Possibility of the Archive in Cyberspace Michel Chaouli Please Hold Juliet Koss Art, Medium, Progress Juliane Rebentisch Digital Negation and the Fate of Shock after the Avant Garde Richard Langston Transformations of the Archive Nora M. Alter The City in the Ages of New Media: From Ruttmann's Berlin: Die Sinfonie der Großstadt to Hypermedia Berlin Todd Samuel Presner Fragging Fascism Margit Grieb Notes on Contributors Index
Introduction Lutz Koepnick and Erin McGlothlin From the Image to the Image File and Back Boris Groys Digital Sampling and Analogue Montage Diedrich Diederichsen Remixability Lev Manovich New Media Aesthetics Carsten Strathausen Aura, Virtuality, and the Simulacrum Sabine Eckmann What Does It Mean to Read Online? On the Possibility of the Archive in Cyberspace Michel Chaouli Please Hold Juliet Koss Art, Medium, Progress Juliane Rebentisch Digital Negation and the Fate of Shock after the Avant Garde Richard Langston Transformations of the Archive Nora M. Alter The City in the Ages of New Media: From Ruttmann's Berlin: Die Sinfonie der Großstadt to Hypermedia Berlin Todd Samuel Presner Fragging Fascism Margit Grieb Notes on Contributors Index
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