Susan Sontag

Against Interpretation

And Other Essays

• Broschiertes Buch

Produktbeschreibung

First published in 1966, this celebrated book--Sontag's first collection of essays--quickly became a modern classic, and has had an enormous influence in America and abroad on thinking about the arts and contemporary culture. As well as the title essay and the famous "Notes on Camp," "Against Interpretation" includes original and provocative discussions of Sartre, Simone Weil, Godard, Beckett, science-fiction movies, psychoanalysis, and contemporary religious thinking. This edition features a new afterword by Sontag.

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Includes the essay "Notes on Camp," the inspiration for the 2019 exhibition Notes on Fashion: Camp at the Costume Institute of the Metropolitan Museum of Art Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the groundbreaking essays "Notes on Camp" and "Against Interpretation," as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought. This edition has a new afterword, "Thirty Years Later," in which Sontag restates the terms of her battle against philistinism and against ethical shallowness and indifference.

Produktdetails

• Verlag: Picador
• Seitenzahl: 336
• Erscheinungstermin: 25. August 2001
• Englisch
• Abmessung: 211mm x 140mm x 22mm
• Gewicht: 292g
• ISBN-13: 9780312280864
• ISBN-10: 0312280866
• Artikelnr.: 21485003

Autorenporträt

Susan Sontag

Inhaltsangabe

Against interpretation
On style
The artist as exemplary sufferer
Simone Weil
Camus' Notebooks
Michel Leiris' Manhood
The anthropologist as hero
The literary criticism of Georg Lukacs
Sartre's Saint Genet
Nathalie Sarraute and the novel
Ionesco
Reflections on The Deputy
The death of tragedy,
Going to theater, etc.
Marat / Sade / Artaud
Spiritual style in the films of Robert Bresson
Godard's Vivre Sa Vie
The imagination of disaster
Jack Smith's Flaming Creatures
Resnais' Muriel
A note on novels and films
Piety without content
Psychoanalysis and Norman O. Brown's Life Against Death
Happenings: an art of radical juxtaposition
Notes on "Camp"
One culture and the new sensibility
Afterword: Thirty Years Later