Original essays and visual art that reveal the depth and complexity of the sculpture of American modernist Tony Smith, placing his multifaceted practice in dialogue with contemporary voices.
Original essays and visual art that reveal the depth and complexity of the sculpture of American modernist Tony Smith, placing his multifaceted practice in dialogue with contemporary voices.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James Voorhies is a curator and historian of modern and contemporary art. He is the author of Postsensual Aesthetics and Beyond Objecthood: The Exhibition as a Critical Form since 1968 (both MIT Press), and has taught at Bennington College and Harvard University.
Inhaltsangabe
Preface James Voorhies In-Between Reason: The Liminalities of Tony Smith’s Architecture and Sculpture, Mario Gooden Between the Backyard and the Magazine: Tony Smith in Vogue, Saim Demircan New Piece: Elective Geometries, Judith Barry with Kelli Anderson “Leap Romantically”: Tony Smith at Home, Jenni Sorkin Tony Smith’s Negative Infinities: From Black Holes to Blind Spots, Yann Chateigné Tytelman Contained Correspondence, Tom Burr Contributor Biographies Acknowledgments Colophon Photography Credits
Preface James Voorhies In-Between Reason: The Liminalities of Tony Smith’s Architecture and Sculpture, Mario Gooden Between the Backyard and the Magazine: Tony Smith in Vogue, Saim Demircan New Piece: Elective Geometries, Judith Barry with Kelli Anderson “Leap Romantically”: Tony Smith at Home, Jenni Sorkin Tony Smith’s Negative Infinities: From Black Holes to Blind Spots, Yann Chateigné Tytelman Contained Correspondence, Tom Burr Contributor Biographies Acknowledgments Colophon Photography Credits
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