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In Aguafuertes, Jesús del Campo paints a colorful picture of the Baroque, a time when the air smelled of gunpowder and the seas of spices. Each of these extraordinary vignettes, drawn with the finesse of a historian, transport us to an era in which the desires and violence were no obstacle to eroticism and love, and in whose battles and intrigues we can sense the eternal "dance of mortals on the deceitful paths of life." Peasants, explorers, wandering musicians, soldiers, merchants, spies and nobles of idle life give in this kaleidoscopic story the measure of the human in all its contradiction and fragility.…mehr

Produktbeschreibung
In Aguafuertes, Jesús del Campo paints a colorful picture of the Baroque, a time when the air smelled of gunpowder and the seas of spices. Each of these extraordinary vignettes, drawn with the finesse of a historian, transport us to an era in which the desires and violence were no obstacle to eroticism and love, and in whose battles and intrigues we can sense the eternal "dance of mortals on the deceitful paths of life." Peasants, explorers, wandering musicians, soldiers, merchants, spies and nobles of idle life give in this kaleidoscopic story the measure of the human in all its contradiction and fragility.
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Autorenporträt
Jesús del Campo (Gijón, 1956) es doctor en Filología por la Universidad de Oviedo, donde ha trabajado como profesor de Lengua y Literatura Inglesas. Ha traducido a varios autores de novela negra y clásicos de la literatura inglesa, como «Canción de Navidad», de Dickens, al castellano. Desde la aparición de su aclamada primera novela, «Los diarios clandestinos de Blancanieves» (2001), ha publicado libros de viajes, novelas y colecciones de relatos que se han traducido a diversas lenguas. Acantilado ha publicado «Panfleto de Kronborg» (2022) y «Aguafuertes» (2024).