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Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications…mehr

Produktbeschreibung
Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications of artificial intelligence in museums, and provides an overview of the current state of the debate.
Autorenporträt
Sonja Thiel works as digital catalyst for Artificial Intelligence at Badisches Landesmuseum in Karlsruhe. She has a background in history and philosophy and has worked as a curator for participatory processes at cultural history museums. 2014-2020 she developed a blended-learning academy program in Museum Studies at the University of Freiburg. Her work focuses on the intersections between museology, participatory curatorial practice and open digital education. Johannes C. Bernhardt is a cultural historian and teaches at the University of Konstanz. After holding positions at the universities of Freiburg, Mannheim and Bochum, he worked at the Badisches Landesmuseum from 2017 to 2023 on the intersection of digitality and participation, the development of the digital museum and artificial intelligence applications. His work focuses on ancient history, cultural management and digital transformation.
Rezensionen
»Ein spannendes Werk für alle, die sich mit den Schnittstellen von Technologie und Kultur beschäftigen. Denn es handelt sich um eine Veröffentlichung, die nicht nur die aktuelle Debatte über den Einsatz von KI im Kultursektor bereichert, sondern auch Impulse für zukünftige Entwicklungen liefert.«

Sigrun Lehnert, MEDIENwissenschaft, 3 (2024), translated from German 20240826