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  • Broschiertes Buch

AL HASCHISCHE is a vivid and beguiling work by Safaa Fathy, a multi-talented artist who seamlessly delves into personal, humanitarian, and metaphysical matters through trance-inducing lyricism. Reminiscent of Benjamin''s Über Haschisch (Suhrkamp, 1972), the book employs Hashish as a catalyst for interpretation, taking us on a journey into the depths of places, plants, and people within the realm of Language. Drawing inspiration from her experimental film, Hidden Valley, Fathy skilfully integrates stills that offer a visual, verbal, and textual glimpse into her quest. AL HASCHISCHE serves as an…mehr

Produktbeschreibung
AL HASCHISCHE is a vivid and beguiling work by Safaa Fathy, a multi-talented artist who seamlessly delves into personal, humanitarian, and metaphysical matters through trance-inducing lyricism. Reminiscent of Benjamin''s Über Haschisch (Suhrkamp, 1972), the book employs Hashish as a catalyst for interpretation, taking us on a journey into the depths of places, plants, and people within the realm of Language. Drawing inspiration from her experimental film, Hidden Valley, Fathy skilfully integrates stills that offer a visual, verbal, and textual glimpse into her quest. AL HASCHISCHE serves as an exploration of dreams, madness, and the intricate musings of the mind through an investigative and psychic travel. Its pages invite us to encounter elemental forces, ranging from the enigmatic Canticle Prophet to the interplay of shadows and remedies, employing hypnosis against a backdrop of a mesmerizing blue curtain. Fathy's poetic work beautifully underscores the notion that the body is the primordial abode of words, while the term "haschiche" resonates with profound significance throughout. Poetry.
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Autorenporträt
Safaa Fathy was born in Egypt; she has been a director of program at the International College of Philosophy in Paris. A poet, filmmaker, and essayist, her most recent films are Mohammad Saved from the Waters, Derrida's Elsewhere, and a film poem Nom à la mer. Jacques Derrida, with whom she wrote the book Tourner les mots au bord d'un film, prefaced her plays Terreur and Ordalie.