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The history of the Albanian modern drama has not a final act yet, the curtain has not fallen yet. So the words which are used to temporarily close this discourse should not be taken as a conclusion. The time hasn't come to put an end yet, neither to establish new norms. The moment has come to understand what has been done and to try to make a theoretical formulation. Our job as researchers was the new registration forms for the only reason that art history is not defined by ideas but by their realization into forms. The playwrights we mentioned have brought a new form in the Albanian drama. In…mehr

Produktbeschreibung
The history of the Albanian modern drama has not a final act yet, the curtain has not fallen yet. So the words which are used to temporarily close this discourse should not be taken as a conclusion. The time hasn't come to put an end yet, neither to establish new norms. The moment has come to understand what has been done and to try to make a theoretical formulation. Our job as researchers was the new registration forms for the only reason that art history is not defined by ideas but by their realization into forms. The playwrights we mentioned have brought a new form in the Albanian drama. In remaking a new style possible it should have been resolved not only the crisis of the dramatic form but also that of the tradition. By reading these published and unpublished texts was observed how difficult and complicated it was to pass from reading to writing. Our study seeks to give a future to these works through interpretation, especially to the unpublished ones.
Autorenporträt
Gëzim Puka, Phd in literature. Lectures literary criticism at the University of Shkodra "Luigj Gurakuqi". A professor and researcher in the field of Albanology. Nearly 35 articles and conferences in various scientific activities. Several articles published in literary newspapers and magazines as well as in Albanian and international periodicals.