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Exploring the ballet boom in Britain during WWII, this book asks how art and artists thrive during conflict. Author Karen Eliot shows how ballet in Britain flourished during war, exhibiting a surprising heterogeneity and vibrant populism. The book focuses especially on the roles of dance critics, male and female dancers, producers, audiences, and choreographers.

Produktbeschreibung
Exploring the ballet boom in Britain during WWII, this book asks how art and artists thrive during conflict. Author Karen Eliot shows how ballet in Britain flourished during war, exhibiting a surprising heterogeneity and vibrant populism. The book focuses especially on the roles of dance critics, male and female dancers, producers, audiences, and choreographers.
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Autorenporträt
Karen Eliot danced in the Merce Cunningham Dance Company during the 1980s. She is a Professor in the Department of Dance at The Ohio State University where she has taught for over 20 years. Her books include Dancing Lives: Five Female Dancers from the Ballet d'Action to Merce Cunningham (2007), and the edited anthology, Dance on its Own Terms: Histories and Methodologies (2013) with co-editor Melanie Bales. She serves on the advisory board of Dance Chronicle. Her articles appear in: Dance Chronicle ; Dance Gazette; The American Society for Eighteenth-Century Studies Book Reviews Online; and Dance Research Journal.