Andere Kunden interessierten sich auch für
![Alexander John Ellis]( "Alexander John Ellis")
Alexander John Ellis25,99 €![Interkulturelle Managementansätze: Alexander Thomas - Kulturbegriff und Kulturstandards]( "Interkulturelle Managementansätze: Alexander Thomas - Kulturbegriff und Kulturstandards")
Interkulturelle Managementansätze: Alexander Thomas - Kulturbegriff und Kulturstandards16,95 €![The Performative Sustainability of Race]( "The Performative Sustainability of Race")
The Performative Sustainability of Race147,80 €![Die griechische Beredsamkeit in dem Zeitraum von Alexander bis auf Augustus]( "Die griechische Beredsamkeit in dem Zeitraum von Alexander bis auf Augustus")
Die griechische Beredsamkeit in dem Zeitraum von Alexander bis auf Augustus21,90 €![The Performative Sustainability of Race]( "The Performative Sustainability of Race")
The Performative Sustainability of Race41,85 €![Alexander von Humboldt und der Kosmopolitismus]( "Alexander von Humboldt und der Kosmopolitismus")
Alexander von Humboldt und der Kosmopolitismus17,95 €![Biocultural anthropology]( "Biocultural anthropology")
Biocultural anthropology32,99 €
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Oleksander Koshetz (September 12, 1875 September 21, 1944) was a Ukrainian choral conductor, arranger, composer, ethnographer, writer, musicologist, and lecturer. He helped popularize Ukrainian music around the world. His name is also commonly transliterated as Oleksandr Koshyts. At one time, a performance of Koshetz s Ukrainian National Chorus held the world record for audience attendance, excluding sporting events. George Gershwin is said to have based his song Summertime on a Ukrainian lullaby, Oi khodyt son, which he heard in a New York City performance by the choir. His performance also popularized Mykola Leontovych's Shchedryk in his concert, which Peter Wilhousky later translated into the immensely popular Carol of the Bells.