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  • Broschiertes Buch

A collection of 16 essays on the artist¿s painting and works for the theatre between 1910 and 1924. The essays explore the colour theories that gave rise to her abstract painting and the basic laws of structure that gave order to her Cubist, Simultaneist, Non-Objective painting and her stage and costume design. Contemporary accounts of her three plays, Famira Kifared, Salome, and Romeo and Juliet are included together with extracts from Alexander Tairov¿s, Notes of a Director (1921). The book closes with a detailed and illustrated Chronology of Exter¿s exhibitions and paintings.

Produktbeschreibung
A collection of 16 essays on the artist¿s painting and works for the theatre between 1910 and 1924. The essays explore the colour theories that gave rise to her abstract painting and the basic laws of structure that gave order to her Cubist, Simultaneist, Non-Objective painting and her stage and costume design. Contemporary accounts of her three plays, Famira Kifared, Salome, and Romeo and Juliet are included together with extracts from Alexander Tairov¿s, Notes of a Director (1921). The book closes with a detailed and illustrated Chronology of Exter¿s exhibitions and paintings.
Autorenporträt
Patricia Railing (PhD, University of Paris, Sorbonne, Philosophy of Art) is an art historian specializing in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments.