Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895.…mehr
Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895.
Jason Edwards is Lecturer in Art History at the University of York, UK.
Inhaltsangabe
Contents: Introduction: Alfred Gilbert's Aestheticism A portrait of the artist as a young aesthete: Perseus Arming (1882) and 'Grosvenor' Aestheticism Icarus (1884): 'academic' Aestheticism at Leighton and Burlington House Allegorizing love in fin-de-siècle London: Eros (1886-93) and Piccadilly Aestheticism The truth of masks: Comedy and Tragedy: 'Sic Vita' (1892) From Cleveland Street to Bruges: the Clarence Memorial Tomb (1892-99) Conclusion: G. F. Watts and the end of Gilbert's Aestheticism, 1899-1903 Bibliography Index.
Contents: Introduction: Alfred Gilbert's Aestheticism A portrait of the artist as a young aesthete: Perseus Arming (1882) and 'Grosvenor' Aestheticism Icarus (1884): 'academic' Aestheticism at Leighton and Burlington House Allegorizing love in fin-de-siècle London: Eros (1886-93) and Piccadilly Aestheticism The truth of masks: Comedy and Tragedy: 'Sic Vita' (1892) From Cleveland Street to Bruges: the Clarence Memorial Tomb (1892-99) Conclusion: G. F. Watts and the end of Gilbert's Aestheticism, 1899-1903 Bibliography Index.
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