'A work of glorious intelligence and literary devices . . . Nonsense becomes a form of higher sense' Malcolm Bradbury 'I had sent my heroine straight down a rabbit-hole . . . without the least idea what was to happen afterwards,' wrote Lewis Carroll, describing how Alice was conjured up one 'golden afternoon' to entertain a young girl. His dream worlds of nonsensical Wonderland and the back-to-front Looking-Glass kingdom depict order turned upside-down: a baby turns into a pig, time is abandoned at a disordered tea-party and a seven-year-old girl is made Queen. But amongst the anarchic…mehr
'A work of glorious intelligence and literary devices . . . Nonsense becomes a form of higher sense' Malcolm Bradbury
'I had sent my heroine straight down a rabbit-hole . . . without the least idea what was to happen afterwards,' wrote Lewis Carroll, describing how Alice was conjured up one 'golden afternoon' to entertain a young girl. His dream worlds of nonsensical Wonderland and the back-to-front Looking-Glass kingdom depict order turned upside-down: a baby turns into a pig, time is abandoned at a disordered tea-party and a seven-year-old girl is made Queen. But amongst the anarchic humour and sparkling word play, puzzles and riddles, are poignant moments of nostalgia for lost childhood.
Edited with an Introduction and notes by Hugh Haughton
Charles Lutwidge Dodgson, known by his pen name, Lewis Carroll, was a man of diverse interests - in mathematics, logic, photgraphy, art, theater, religion, medicine, and science. He was happiest in the company of children for whom he created puzzles, clever games, and charming letters. As all Carroll admirers know, his book Alice's Adventures in Wonderland (1865), became an immediate success and has since been translated into more than eighty languages. The equally popular sequel Through the Looking-Glass and What Alice Found There, was published in 1872. The Alice books are but one example of his wide ranging authorship. The Hunting of the Snark, a classic nonsense epic (1876) and Euclid and His Modern Rivals, a rare example of humorous work concerning mathematics, still entice and intrigue today's students. Sylvie and Bruno, published toward the end of his life contains startling ideas including an 1889 description of weightlessness. The humor, sparkling wit and genius of this Victorian Englishman have lasted for more than a century. His books are among the most quoted works in the English language, and his influence (with that of his illustrator, Sir John Tenniel) can be seen everywhere, from the world of advertising to that of atomic physics. Hugh Haughton is a senior lecturer at the University of York. He edited Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking-Glass for Penguin Classics.
Inhaltsangabe
Acknowledgements vii Introduction ix Further Reading lxvi A Note on the Text lxx A Note on Tenniel lxxv Alice's Adventures in Wonderland Contents 7 (2) Down the Rabbit-Hole 9 (7) The Pool of Tears 16 (8) A Caucus-Race and a Long Tale 24 (7) The Rabbit Sends in a Little Bill 31 (9) Advice From a Caterpillar 40 (10) Pig and Pepper 50 (10) A Mad Tea-Party 60 (9) The Queen's Croquet-Ground 69 (9) The Mock Turtle's Story 78 (9) The Lobster-Quadrille 87 (8) Who Stole the Tarts? 95 (7) Alice's Evidence 102 (19) Through the Looking-Glass, and What Alice Found There Contents 119 (2) Looking-Glass House 121 (14) The Garden of Live Flowers 135
Acknowledgements vii Introduction ix Further Reading lxvi A Note on the Text lxx A Note on Tenniel lxxv Alice's Adventures in Wonderland Contents 7 (2) Down the Rabbit-Hole 9 (7) The Pool of Tears 16 (8) A Caucus-Race and a Long Tale 24 (7) The Rabbit Sends in a Little Bill 31 (9) Advice From a Caterpillar 40 (10) Pig and Pepper 50 (10) A Mad Tea-Party 60 (9) The Queen's Croquet-Ground 69 (9) The Mock Turtle's Story 78 (9) The Lobster-Quadrille 87 (8) Who Stole the Tarts? 95 (7) Alice's Evidence 102 (19) Through the Looking-Glass, and What Alice Found There Contents 119 (2) Looking-Glass House 121 (14) The Garden of Live Flowers 135
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