Alienation in Edward Hopper¿s and Jackson Pollock¿s Paintings - Dalirian, Zohreh
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In this thesis I study alienation in Edward Hopper s and Jackson Pollack s paintings. Each of these American painters expressed alienation in his art in a distinctive way. The source of their alienation is different, too, yet they share some personality traits. While alienation in Pollock s paintings is mainly derived from his psychological characteristics, the source of alienation in Hopper s paintings is mostly sociological. The alienation in Hopper s paintings is the manifestation of man s new status in the world, which is defined by Modernity. He is warning about the situation, in which…mehr

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Produktbeschreibung
In this thesis I study alienation in Edward Hopper s and Jackson Pollack s paintings. Each of these American painters expressed alienation in his art in a distinctive way. The source of their alienation is different, too, yet they share some personality traits. While alienation in Pollock s paintings is mainly derived from his psychological characteristics, the source of alienation in Hopper s paintings is mostly sociological. The alienation in Hopper s paintings is the manifestation of man s new status in the world, which is defined by Modernity. He is warning about the situation, in which despite the superficial achievements, man is alone. And, I believe, Pollock is the offspring of that situation.
Autorenporträt
Zohreh Dalirian received her Bachelor¿s of Fine Arts in Graphic Design from Shahed University in Tehran, Iran in 2005. To pursue her interest in history and art, she continued her education as a graduate student at Wichita State University (WSU) in Wichita, Kansas. She obtained her Master¿s of Arts in Liberal Studies from WSU in 2010.