Showcasing individual effort and talent, the single-artist album has been adopted by artists such as Neil Young to produce unique additions to their discographies. Steve Hamelman terms this type of project as AlphaSoloism, and gathers eleven scholars to explore eleven unique single-artist albums.
Showcasing individual effort and talent, the single-artist album has been adopted by artists such as Neil Young to produce unique additions to their discographies. Steve Hamelman terms this type of project as AlphaSoloism, and gathers eleven scholars to explore eleven unique single-artist albums.
Steve Hamelman is a professor of English at Coastal Carolina University. He is the author of But Is It Garbage? On Rock and Trash (2004) and the book and audio reviews editor for the journals Popular Music and Society and Rock Music Studies.
Inhaltsangabe
Chapter 1: "I Think I'm Pretty Good": Paul McCartney and the Art of AlphaSoloism by Steve Hamelman Chapter 2: A Perspective on the Single-Artist Album and John Fogerty's Blue Ridge Rangers (1973) by Thomas Kitts Chapter 3: Songs in the Key of Strife: Stevie Wonder's Solitary Songs of Social Significance on Innervisions (1973) by Ian Peddie Chapter 4: His Life with You He Shares: Prince's For You (1979) by Sarah Niblock Chapter 5: Breaking Free of Queen: Roger Taylor's Fun in Space (1981) by Nick Braae Chapter 6: Martin Newell's The Greatest Living Englishman (1993) by James Martens Chapter 7: Resignation with Flair: Elliott Smith's Roman Candle (1994) by Kristin Lieb Chapter 8: Thrown into a Cruel World: Neil Young's Dead Man (1995) by Ulrich Adelt Chapter 9: Narrative Themes about Post-Band Solo Work in Media Coverage of Ben Folds's Rockin' the Suburbs (2001) by Jordan M. McClain and Amanda S. McClain Chapter 10: "What's for Tea, Daughter?": Technology and Selling Out in Petra Haden Sings: The Who Sell Out (2005) by Colin Helb Chapter 11: So Young, So Country, So Self-Contained: Hunter Hayes (2011) by Lawrence Pitilli
Chapter 1: "I Think I'm Pretty Good": Paul McCartney and the Art of AlphaSoloism by Steve Hamelman Chapter 2: A Perspective on the Single-Artist Album and John Fogerty's Blue Ridge Rangers (1973) by Thomas Kitts Chapter 3: Songs in the Key of Strife: Stevie Wonder's Solitary Songs of Social Significance on Innervisions (1973) by Ian Peddie Chapter 4: His Life with You He Shares: Prince's For You (1979) by Sarah Niblock Chapter 5: Breaking Free of Queen: Roger Taylor's Fun in Space (1981) by Nick Braae Chapter 6: Martin Newell's The Greatest Living Englishman (1993) by James Martens Chapter 7: Resignation with Flair: Elliott Smith's Roman Candle (1994) by Kristin Lieb Chapter 8: Thrown into a Cruel World: Neil Young's Dead Man (1995) by Ulrich Adelt Chapter 9: Narrative Themes about Post-Band Solo Work in Media Coverage of Ben Folds's Rockin' the Suburbs (2001) by Jordan M. McClain and Amanda S. McClain Chapter 10: "What's for Tea, Daughter?": Technology and Selling Out in Petra Haden Sings: The Who Sell Out (2005) by Colin Helb Chapter 11: So Young, So Country, So Self-Contained: Hunter Hayes (2011) by Lawrence Pitilli
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