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All That Was Future / Todo lo que que futuro is a bilingual poetry collection that navigates the intricate moments of rupture that compel a body to undergo rebirth. Loss becomes an anchor for memory, and from its depths, an altar is built-a space created with the remnants of objects, people, and places left behind. In this book, each poem is an altar, and each altar is a memory that crosses the realms of the body, identity, death, origin, motherhood and family lineage. This collection of poetry, translated into English by Kediri J. Vaquer Fernández, invites us to think about the narrative of…mehr

Produktbeschreibung
All That Was Future / Todo lo que que futuro is a bilingual poetry collection that navigates the intricate moments of rupture that compel a body to undergo rebirth. Loss becomes an anchor for memory, and from its depths, an altar is built-a space created with the remnants of objects, people, and places left behind. In this book, each poem is an altar, and each altar is a memory that crosses the realms of the body, identity, death, origin, motherhood and family lineage. This collection of poetry, translated into English by Kediri J. Vaquer Fernández, invites us to think about the narrative of what we thought the future would be and how it unravels into something entirely different from what we once thought.
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Autorenporträt
Iliana Pichardo Urrutia is a writer and documentary filmmaker. Her artistic practice explores themes of identity, migration, memory, and motherhood. Growing up in Mexico City, she studied Communication at the Universidad Iberoamericana and completed the Diploma in Creative Writing at the SOGEM School of Writers. As a screenwriter, she has contributed to television series, documentaries, and fiction. Her recent documentary essay, Los aparecidos (2018), which she co-directed, received the Jury Prize at the First Experimental Practice and Short Film Competition of the Filmoteca UNAM and the DocsMX Festival. She is the co-founder of Buñuelos, an artist collective focusing on transmedia projects. Iliana's literary work has been featured in Revista de la Universidad, Rio Grande Review, SmokeLong Quarterly, and Tierra Adentro, and others. She received the Career Development Grant from the American Association of University Women (2022-2023) and First Place in Poetry in the 2022 UTEP Bilingual Creative Writing Awards and Second Place in Nonfiction. She earned her MFA in Creative