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"All the Gold Hurts My Mouth" pulls no punches. Combining a visceral feminism with sharp eroticism, Katherine Leyton takes on sexual politics in the twenty-first century. As she holds up a mirror up a mirror to the male gaze, she unflinchingly interrogates the nature of images and masks as they work through television, movies, and the Internet the hyperreality that influences our perceptions and interactions. Yet, for all of that, this vivid collection is also a rich quest for identity, authenticity, and nature uncorrupted. Gloriously reaching for connection and love, for honesty and intimacy,…mehr

Produktbeschreibung
"All the Gold Hurts My Mouth" pulls no punches. Combining a visceral feminism with sharp eroticism, Katherine Leyton takes on sexual politics in the twenty-first century. As she holds up a mirror up a mirror to the male gaze, she unflinchingly interrogates the nature of images and masks as they work through television, movies, and the Internet the hyperreality that influences our perceptions and interactions. Yet, for all of that, this vivid collection is also a rich quest for identity, authenticity, and nature uncorrupted. Gloriously reaching for connection and love, for honesty and intimacy, Leyton gives voice to a bold, resounding feminism in this manifesto for our age. - 20160304"
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Autorenporträt
Katherine Leyton was the inaugural writer-in-residence at the Al & Eurithe Purdy A-Frame in the summer of 2014. Her poetry and non-fiction have appeared in numerous publications, including the Malahat Review, Hazlitt, the Globe and Mail, and the Edinburgh Review. She is also the founder of the highly unorthodox video poetry blog, HowPedestrian.ca. A native of Toronto, Leyton has lived in Rome, Montreal, Edinburgh, and Forli.