This book examines the often tragic and nearly always disabling metaphor of thetheatrum mundi, world-as-stage, as it plays itself out in the characters of Mary Shelley's novels.
This book examines the often tragic and nearly always disabling metaphor of thetheatrum mundi, world-as-stage, as it plays itself out in the characters of Mary Shelley's novels.
Chapter 1 Introduction Chapter 2 Roots of Mary Shelley's Dramatic Sensibility Chapter 3 Frankenstein: Storytelling as Dramatic Performance Chapter 4 Mathilda: Life as Theatrical Production Chapter 5 The Last Man: Autobiography as Drama Chapter 6 Valperga: Theatrical Plots and Dramatic Intrigue Chapter 7 Perkin Warbeck: Problematic Roles and Identities Chapter 8 Lodore: Public Spectacle and Private Lives Chapter 9 Falkner: The Illusion of Romance Chapter 10 Conclusion
Chapter 1 Introduction Chapter 2 Roots of Mary Shelley's Dramatic Sensibility Chapter 3 Frankenstein: Storytelling as Dramatic Performance Chapter 4 Mathilda: Life as Theatrical Production Chapter 5 The Last Man: Autobiography as Drama Chapter 6 Valperga: Theatrical Plots and Dramatic Intrigue Chapter 7 Perkin Warbeck: Problematic Roles and Identities Chapter 8 Lodore: Public Spectacle and Private Lives Chapter 9 Falkner: The Illusion of Romance Chapter 10 Conclusion
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