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"The small poems . . . slowly build up to a much larger narrative; a narrative of time and memory, of thinking and looking and being in the world, a kind of history that is happening on the sidelines." - Fiona Wright  "Sceptical as I am about anti-poetry, of which there is a lot around and which can assume many different forms, the fully formed poems are not the only writing I can value in a book like this. There is too much wit, absurdity, and sheer verbal craft to be ignored." -Peter Riley

Produktbeschreibung
"The small poems . . . slowly build up to a much larger narrative; a narrative of time and memory, of thinking and looking and being in the world, a kind of history that is happening on the sidelines." - Fiona Wright  "Sceptical as I am about anti-poetry, of which there is a lot around and which can assume many different forms, the fully formed poems are not the only writing I can value in a book like this. There is too much wit, absurdity, and sheer verbal craft to be ignored." -Peter Riley
Autorenporträt
Laurie Duggan was born in Melbourne in 1949. His books include 'The Ash Range' (now republished by Shearsman), which won the Victorian Premier's New Writing Award; 'The Epigrams of Martial', winner of the Wesley Michael Wright Prize; 'Mangroves' (UQP), selected as The Age Poetry Book of the Year in 2003, and winner of the 2004 ASAL Gold Medal. Subsequent books include 'Crab & Winkle', 'The Pursuit of Happiness' and 'Allotments' (all Shearsman), and 'The Collected Blue Hills' (Puncher & Wattman). 'Ghost Nation: Imagined Space and Australian Visual Culture, 1901-1939', was published by University of Queensland Press in 2001. In the early 2000s he was a Senior Lecturer/ Writer-in-Residence in the School of Arts, Media and Culture at Griffith University in Brisbane and an Honorary Research Advisor in the Australian Studies Centre at the University of Queensland. In 2006 he moved the UK and now lives in Kent.